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...residents were a little concerned. Since 1981 Evita Bezuidenhout (pronounced Bezaydenhote) had kept the nation crying - with laughter - as she used her sharp tongue to rip to shreds the apartheid government and all those who stood by it on TV, in South African theaters and on the London stage. Ten years on, however, Evita se Perron (Evita's Platform in Afrikaans) is the cornerstone of the Darling community, serving up "the best boerewors [sausage] this side of apartheid...

Author: /time Magazine | Title: Life's a Cabaret | 2/21/2007 | See Source »

Tony and Emmy Award-winning actor Laurence Fishburne will take the stage this week as the 2007 Artist of the Year during the 22nd annual Cultural Rhythms festival, the Harvard Foundation for Intercultural and Race Relations announced Friday...

Author: By Doris A. Hernandez, CRIMSON STAFF WRITER | Title: Cultural Rhythms To Honor Fishburne | 2/20/2007 | See Source »

...court ruling, a significant victory for the Bush Administration, came in a 2 to 1 decision of the three-judge appeals panel, and affects hundreds of cases waiting to be heard. It also sets the stage for an appeal to the Supreme Court by Gitmo prisoners, as well as likely attempts in Congress to pass new legislation expressly approving habeas corpus rights for those detained at the Cuban base...

Author: /time Magazine | Title: Terror Detainees Lose in Court | 2/20/2007 | See Source »

...director of Homesick, an Iraqi Kurd named Suran Ali Sharif, had in the past staged a more topical, political play in Syria. But as anything recognizable as normal life in Iraq fell apart, and as the ranks of the refugee population in Syria swelled, Sharif decided that serious theater was out of the question. "It's impossible to present these troubles on stage," he said. Iraqis in Syria "are under such psychological pressure, all we can do is try to make people laugh." Still, there is at least one reflection of the new abnormal of Iraq in Homesick: Mahdi...

Author: /time Magazine | Title: The Actor's Life in Exile | 2/19/2007 | See Source »

...course, the show must go on. "The tragedy fills you with all this suffering and you still have to go on stage," said Mahdi, as he excused himself to go to his dressing room and change into the black dish-dash and headscarf that is his bodyguard costume. "The audience doesn't care about your pain. They have their...

Author: /time Magazine | Title: The Actor's Life in Exile | 2/19/2007 | See Source »

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