Word: staging
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...infecting a healthy cell. So far, the medications that have saved millions of AIDS patients around the world have thwarted HIV at the end of its reproductive cycle; Pfizer's compound, a once-a-day pill called Miraviroc, targets the beginning of the disease process. Now in the last stage of being tested in patients, the compound, in combination with other anti-HIV drugs, could become a significant roadblock in preventing HIV infections from mushrooming into full-blown cases of AIDS. ?INSOMNIA Getting a good night's sleep is an ordeal for 70 million Americans. Medications like Ambien...
...event, Kerry introduced a new funding push he is making in Congress to allocate $100 million to Veteran Centers for the screening and treatment of PTSD. Cleland, who lost both legs and half an arm in 1968 when he was serving in the Vietnam War, took the stage with Kerry before the screening. Cleland said that while he dealt with the physical wounds, for a long time, he was unaware of the “hidden wounds” of PTSD. He said that he was now in the kind of counseling which he should have sought...
...Alexander D. Gordon ’06, and co-produced by Hanley and David S. Jewett ’08, the musical is the first rendition of “Chicago” that has shown in the northeast in ten years. The production will run on the Agassiz stage until March...
...male leads in the show, Benjamin K. Glaser ’09 as Amos Hart, also delivers an impressive performance. Glaser is stunningly convincing as Roxie’s pathetic husband, tottering clumsily and bashfully around on the stage. He has not simply reenacted John C. Reilly’s version of the character from the 2003 Rob Marshall film adaptation of “Chicago”—instead, Glaser puts his own spin on his character, playing Amos with an almost childish eagerness and gullibility...
Confusing, jagged and uncompromising, the Lowell House Opera’s (LHO) production of Kurt Weill’s “The Threepenny Opera” is, more or less, everything it should be. Stage director Kate D. Greenhalgh ’05 and producer Sarah S. Eggleston ’07 put on a dangerously modern interpretation of a dangerously modern opera, originally written by Bertolt Brecht and translated into English by Marc Blitzstein. LHO’s show will run March 8, 10, 11, 15, 17, and 18, 2006 at 8:30 p.m. in the Lowell House...