Word: staging
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...Terrence Howard as a somewhat unhinged Southerner, “Get Rich” fails to maintain the myth of 50 Cent. The only rap performance, rather than being a climactic moment, is relegated to the closing credits and the Christ-like imagery of 50’s on-stage disrobing is simply uncomfortable, not divinely inspired. Ultimately, the package is more important than the product, disappointing 50 fans and giving “G-Unit” detractors plenty of ammo to send back at the bullet-ridden icon. —Staff writer Chris Schonberger can be reached...
...area band Hank Crane will perform at 10:15, and Johnny Carlevale & The Broken Rhythm Boys will showcase their “rhythm and roots” act at 11:15, all before Slim Cessna’s Auto Club, with a new live two-disc set, takes the stage just after midnight. T.T. the Bear’s Place. Tickets available at the door or through Ticketmaster. $10. (KF)Sunday, Nov. 20Boston Philharmonic Orchestra Rachmaninov Concert. The BPO, conducted by Benjamin Zander, performs Rachmaninov’s “Piano Concerto No. 2,” featuring Gabriela...
...voice. The challenge of translating such a stirring spech into sign language was masterfully achieved by the show’s interpreters, who were actors in their own right, conveying the emotions and personalities of the characters with their body language as they interpreted the spoken words of the stage with their hands. When a lesbian worker named Kat, played by Catrin M. Lloyd-Bollard ’08, rebukes her would-be lover Poppy (Edward Hichez), the interpreter translating Kat’s part actually looked vividly angry while the interpreter translating Poppy’s part looked suitably...
...Truthfully speaking, my entire career and life is based on [Siddha yoga],” she said. “My greatest moments on stage or before camera are times during which the mind isn’t thinking, but everything around me is still taking place...
...Rock”—is a filmed stand-up comedy routine, embellished with musical montages and skits. For those looking for a comedy show with the extra editing capabilities only film can afford, “Jesus is Magic” is a worthy expenditure. No stage can accommodate a ’60s-themed music video—in which Silverman parodies through song every racial stereotype, only to find herself standing awkwardly in front of one of the targeted parties—and then jump to a skit of Silverman attacking her manager for failing...