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...concentrates on the lives of the obscure--the uncelebrated and faceless figures who make history happen. Furnished with voices, the long silent tribe of Abraham reiterates the observation made by Playwright Tom Stoppard 20 years ago in Rosencrantz and Guildenstern Are Dead: when neglected characters move to center stage, Hamlet himself is only a walk-on. --By Stefan Kanfer Best Sellers...

Author: /time Magazine | Title: Books: Roots | 6/21/2005 | See Source »

...butterflies in his stomach, no stage fright or sweaty palms. Ronald Reagan is booming over the phone, discussing his hopes and ideas as he prepares for Reykjav?...

Author: /time Magazine | Title: The Presidency: I Think I Have Some Room to Maneuver | 6/21/2005 | See Source »

Perhaps the only way to upstage Vladimir Horowitz in recital is to fall off the stage. Last week at the White House, the eminent pianist, 82, had just finished a dazzling performance, his first in the U.S. since his triumphant return to the Soviet Union last April, and the President was delivering an encomium linking the worlds of music and superpower diplomacy. As Nancy Reagan listened, the leg of her chair slipped off the edge of the platform, and she pitched into a row of potted yellow chrysanthemums. "I'm all right," she hurriedly reassured everyone. "I just wanted...

Author: /time Magazine | Title: People: Oct. 20, 1986 | 6/21/2005 | See Source »

...couplings are at center stage in this still sprightly tale: the long since abandoned marriage of a woman (Uta Hagen) who is fervently modern and a man (Stefan Gierasch) who is scrupulously conformist, and the flirtation between this couple's virginal daughter (Lise Hilboldt) and an amiable young dentist (Victor Garber) who is a seasoned rake and frank fortune hunter. In less imaginative hands, the play would end with the younger man's reforming and the older couple's rediscovering the first fine flush of passion. Shaw indulges no such false hopes. He sketches the destructive powers of jealousy...

Author: /time Magazine | Title: Whimsies of the Sex Wars YOU NEVER CAN TELL | 6/21/2005 | See Source »

...guiding purpose of Director Stephen Porter appears to be, as in most Shaw productions these days, to provide a showcase for acting in the old grandiloquent, gestural style. By that measure, You Never Can Tell is a thoroughgoing delight. Hagen can be one of the stage's great ripsnorting viragoes, as she demonstrated last year off-Broadway in the title role of Shaw's Mrs.Warren's Profession. At first it seems a little odd to see her instead as a dithery, warmhearted mother who is preoccupied with her children's welfare, but she brings to the part a serene decency...

Author: /time Magazine | Title: Whimsies of the Sex Wars YOU NEVER CAN TELL | 6/21/2005 | See Source »

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