Word: stagings
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Dates: during 1920-1929
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Rakish is Broadway's Betty Compton. She sways in luscious curves about the stage. With a maximum of temptation she ululates the ditties of the Gershwin brothers. Friskily she tapdances. Languidly she intones between-us-girls dialog. People ogle through their binoculars, applaud mightily. Yet in 148 years no one will remember...
...Volksoper Jeritza had her most rigorous training, learned stage technique and many rôles. While there she took a holiday at Ischl where the Imperial family spent its summers. The Emperor Franz Josef liked the opera, liked especially Die Fledermaus of Johann Strauss. He went one night when Jeritza was Rosalinda, sat attentive in his box, tapped his foot to the music, clapped loudly when she sang the Czardas. Three times Jeritza curtsied deep and began again. . . . The performance went on. ... Right triumphed over wrong. . . . The old Emperor beckoned an attendant: "Why have they always old, fat singers...
...first season. Rosenkavalier, Thaïs, Tannhaüser, Fedora, Jenufa, Jewels of the Madonna, Turandot, Violanta, Carmen have been added since. Tosca and its like have brought her most fame. All the world knows now that she sings the Vissi d'arte lying flat on the stage, that she rolls down the church steps in Cavalleria, dies in most horrible agony in Carmen and Fedora, has a dozen devices for making opera exciting. Artistically she has done better with Walküre, Rosenkavalier, Lohengrin, Tannhaüser. Few having seen will forget the beauty of her as Sieglinde...
...singers may ail. Jeritza has never missed a performance. Her public (she used to call it pooblic) must not be disappointed, and to bear out the principle she sang a concert once in Brooklyn on one foot, the other so badly sprained she had to be carried on the stage and propped against the piano. Yet trembling with fatigue when it was over she could still make a joke. Bent and looking infinitely pathetic: "Won't someone do something for a poor old prima donna...
...ushers mistook the pause for the end of the number, admitted more people. Conductor Stokowski sprang off his dais and off the stage. Philadelphians caught their breaths, sat still as pins till he came back, started the concert for the third time...