Word: stagings
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Dates: during 1950-1959
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...complex: both the conflict within a divided personality and divided selves clashing with one another. The use of masks has visual value; the sudden shifts in character and the transference of personality have theatrical force. But the conflicts that concerned O'Neill are among the eternal conflicts of stage drama. They are more rewarding when the audience must distinguish the face from the mask, or when the two are not easily distinguishable. Theatrical without being dramatic, O'Neill created men with two profiles but without any face...
...enforce an order, the most desirable kind, said Dr. Kenward, is to turn the misbehavior itself into a weapon. A girl who likes neat clothes but refuses to hang them up will eventually get tired of wearing wrinkled dresses. If a child steals, he must make restitution. Next obvious stage in punishment is depriving the child of privileges...
...Hitler Germany's greatest stars, "Lisl" Bergner fled the country in 1933, scored a series of brilliant U.S. and British stage and screen successes (Stolen Life, The Two Mrs. Carrolls, Escape Me Never, Catherine the Great). But in the years just after the war, the Hollywood magic somehow gave out; Bergner appeared in a succession of stage flops, finally retired to London with her husband. Film Producer Paul Czinner. Last week's performance proved that her retirement had been premature...
Career (Hal Wallis; Paramount), the film version of James Lee's off-Broadway hit of 1957, tells the story of a stage-struck ex-soldier (Anthony Franciosa) from Lansing, Mich, who heads for Manhattan after World War II to become an actor. He imagines himself going from hit to hit, but unfortunately he staggers from cliche to cliche. For six months he lives in the inevitable cold-water flat with an orange crate for an icebox, and walks the streets from one tryout to another. Nothing doing. Then a talk-big, pay-small type Dean Martin) gives...
...Broadway producer to come down and catch his act, but the brute, who later confesses that he loathes all actors, gives him the brush. Meanwhile the hero's girl comes east, gets a job, persuades him to marry her, gets pregnant, begs him to quit the stage, loses hope and the baby, runs home to mother and gets a divorce. Grimly true to his art, the hero hangs on. And so it goes for an hour and three-quarters, through every possible vicissitude of a Broadway career-from Sorry, You're Not the Type to the Faithless Friend...