Word: stagings
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Dates: during 1970-1979
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...ball bounced off the surprised Casto's hands, setting the stage for a second-and-goal at the Harvard 4. Roland rolled left on the play, looking for a trio of receivers flooding that side of the endzone, but the storming Palmer charged unmolested from the opposite side of the field and crushed Roland...
...with her broomstick, or the guests waltzing at the royal ball--and the content of the movement is a trite and anonymous classical pattern. Cunningham's choreographic vocabulary is limited, ignoring both the music (a beguiling Prokofiev score) and any place of space outside the lateral extension of center stage...
...Carter desperately needed an economic victory. Raging inflation was undermining the economy at home; overseas, the plunge in the value of the dollar posed a gigantic threat to the stability of the whole world financial system. Wild routs on the currency and stock exchanges were threatening to make his Stage II anti-inflation program a joke before it ever had a chance to get started...
...part tried to overcome the weight of the show and even managed to succeed at times. Kitty Kean as Alice captured the innocence and charm of Lewis Carroll's character so well that it was easy to forget she was about three inches taller than half the people on stage. Her strikingly good voice was able to keep up with Levine's complex key changes and difficult pitches...
...when the script, music and acting combined to explore the depths of gooey and contrived sentiment. The Fawn sequence was marred not so much by the flowery romanticism of the song as by the Fawn's weird behavior upon discovering that Alice is a human child. He runs off stage acting as if he were trying to keep himself from commiting an unnatural act, and only the most jaded could fail to be repelled by the whole scene. The same bizarre love interest insinuates itself in the White Knight's song, perhaps as a suggestion that Carroll, equated with...