Word: stagings
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Dates: during 1970-1979
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...heroin the way Keith did, and Jagger didn't. But assume the Stones did ruin Sanchez's life, even the lives of people like Robert Fraser or Marianne Faithfull. What of it? It doesn't matter if nobody wants Keith Richards living next door. The Rolling Stones exist on stage; it's the persona, not the person, that's germane to art, and "kiss-and-tell" histories like Up and Down are supremely irrelevant. As Jagger once told Chet Flippo, "It's the attitude." The endless "Midnight Rambler," rambling forever on Get Yer YaYas Out; those spectral opening chords...
...Above the embassy gate hung a portrait of Khomeini and a loudspeaker over which a voice intoned repeatedly, "God is great" and "There is but one God." At a midnight rally Thursday about 1,000 students, aligned with the leftist Islamic Mujahedin-e Khalq (People's Crusaders), tried to stage a demonstration but found themselves confronting a group of right-wing Islamic extremists. Moderates crying "Allahu akbar!" (God is great) quickly moved in to act as a buffer between the two groups...
...final song on side one, "Ambush," is Marley's reflection on an incident that occurred when he tolerated the Jamaican political system. Marley had agreed to stage a benefit concert for labor party leader, Michael Manley. Days before the concert, professional gunmen ambushed Marley and his friends, killing one person. Rumors circulated that the attack had been a move by Manley to throw suspicion on his rivals just before the national election. Marley opens the song by mocking the values of the Jamaican power elite. He then asserts that his power to rally black Jamaicans against the system...
...previous military President, General David Padilla, who stepped down in August, vainly appealed to soldiers to stage a countercoup that would return the presidency to Guevara, but by week's end active resistance to the new regime halted...
...this production makes little of either costumes or stage, save for one fine touch by lighting designer Marshall Thomsen. He projects a "gobo on the skim" which, in layman's language means inserting a metal cut-out in the theatrical light and shining it on a muslin drape. The effect is a jagged, broken silhouette that mirrors the fragmented hopes of the protagonists...