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Word: stagings (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...stood by the big cast-iron door hustling people in next to big Bill. The air was steamy and I could hear the music from the nearby nightclubs relentlessly competing and clashing in the street. A barker swung open the door to the club across the street exposing a stage full of "girls" wearing paste-ons and G-strings. A plastic leg with a red high heel poked out of an upstairs window. It was all pretty joyous. I smiled to the outside travellers walking slow as a happy herd through the furnace of the late New Orleans...

Author: By Sarah G. Boxer, | Title: New Orleans Nocturne | 10/11/1979 | See Source »

After years playing opposite Bogart, Bogarde, Flynn, Benny and Gable, Alexis Smith finally gets to play the harlot Xaviera instead of hard to get. She slides down stairs and moseys off stage convincingly enough, but the Texas Tally Wackers--the "orchestra"--drown out her songs. She's still a pretty classy old whore, and does her best to compensate for a script crammed full of non-sequiturs. The storyline slips readily from bathos to pathos and back again...

Author: By Laurence S. Grafstein, | Title: Dead Solid Texas | 10/9/1979 | See Source »

...Crimson still has some problems, but at this stage of the game, the stickwomen appear to have fewer problems than their oppostion...

Author: NO WRITER ATTRIBUTED | Title: Stickwomen Shine, Quiet Quakers, 2-1 | 10/9/1979 | See Source »

DIED. John Cromwell, 91, stage and screen actor, director and producer for more than 70 years; of a blood clot in the lung; in Santa Barbara, Calif. Lured from Broadway to Hollywood in 1928, he directed Tom Sawyer, Of Human Bondage and Algiers. A founder of the Screen Directors' Guild, Cromwell was hounded out of Hollywood in the early '50s for his pro-labor leanings. Last year he reappeared on the screen in Robert Altman's A Wedding...

Author: /time Magazine | Title: Milestones, Oct. 8, 1979 | 10/8/1979 | See Source »

...clearly see her rolling her tongue to gather saliva in her mouth ("My God," she said later, "I didn't know I did that"). But, as Domingo points out, that very intimacy can also enhance a performer's expressiveness: "Viewers can appreciate what's lost on stage-a little glance, a movement. I think we should take advantage...

Author: /time Magazine | Title: Music: The Met, the Moor and the Eye | 10/8/1979 | See Source »

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