Word: stagings
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Dates: during 1970-1979
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...Sellars has brutally mashed Much Ado About Nothing's script to fit the limits of his acting company and his own self-indulgent desire to buck conventionality. His innovations in staging are often clever and amusing, like his use of several mannequins to fill various roles for which he lacked actors; but the merging of more important roles, the cutting and chopping of important scenes, and the self-consciousness of each departure from Shakespeare unnerve the audience and often make the play's plot incomprehensible. Sellars might just as well have bounded on stage, done a headstand, cried "look...
...play flashes into lucidity every now and then when Japes Emerson's Benedick and Anne Beresford Clarke's Beatrice parry each other's verbal thrusts. Clarke assumes the stage with an assurance other performers whose roles had been mangled could not afford. Her voice is not large or overpowering; instead of ringing out, it pierces and slices--but that's an effective sound for this razor-tongued heroine. Emerson's Benedick is youthful and athletic, but not terribly well-defined; Shakespeare suggests he ought to be something of an eccentric...
...before the curtain rises, opening his last ballet? Almost. Helen McGehee, visiting instructor at the Harvard Summer Dance program and former soloist with the Martha Graham Dance Company, preps her students before they perform a piece from her own repertory. But these students are Summer School students, and the stage is a second floor studio in Agassiz...
...piece follows the Graham technique. Two dancers stand on stage, bodies rigid, hands clasped around their waists, expressions stony. One faces two high-backed chairs, back to back, seating two onlooking dancers. The other faces an empty wooden stocks, a dancer behind. The music begins, slow at first but full of potent emotion. Their bodies become expressions of the music...
...barbed wire fence as raindrops splattered about them. Puddles. Lots of them. Cops and reporters, too. Not on mention an 80-per-cent complete atomic power plant. But where were the anti-nuclear protesters, the non-violent commandos who were planning to scale those eight-foot tall barriers and stage a mass-occupation...