Word: stagings
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...soon as audience members walk into this latest Harvard-Radcliffe Dramatic Company production, each is confronted with the vulnerability of a young woman (Jessica Napier ’11) self-consciously stripped to her plain, black skivvies in the middle of the stage. Everyone suddenly becomes an accomplice, mutually guilty of his invasion into the presumably fictitious reality created by the girl on the pedestal; All are at least partially responsible for her furrowed brow and the arms she has arranged protectively across her front as she shivers from the violation. The entire show is uncomfortable in its emotional...
...Richard Smith’s first goal of his Crimson career, and it couldn’t have come on a bigger stage...
...numbers of the evening was Mainly Jazz’s “Music Box,” choreographed by Chang. Jennifer M. Batel ’12, Natalie A. Cameron ’11, and Odstrcil transformed themselves into Coppelia-esque wind-up toys, delicately moving about the stage with the precision of mechanical instruments. The plucked strings of the folk music—a piece by Yann Tiersen, best known for creating the soundtrack for “Amélie”—resonated as the dancers replied in stiff, precise arm movements that still...
...orchestra again took center stage for the program’s finale, a performance of the 1947 version of Igor Stravinsky’s burlesque in four movements, “Petrushka.” Petrushka, which was first performed by Diaghlilev’s Ballet Russes in 1911, provides a delightful contrast to the composer’s later, seminal work Le Sacru du Printemps (“The Rite of Spring”). Petrushka’s plot line of musical puppets cavorting on a fairground cannot begin to compete with Stravinsky’s story...
Last week, as U.S. President Barack Obama was preparing for his first visit to Beijing and the China-as-rising-superpower meme was center stage, a story on Politico.com posed a provocative question: Is China headed toward collapse...