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Reading your article on Artist Edwin Landseer [Nov. 16] reminded me of the story about his famous painting The Monarch of the Glen. As a guest of Queen Victoria, Landseer went deerstalking with a gillie from Balmoral. After following a five-pointer stag for over four hours, they had it trapped in a corrie. At that moment Landseer quickly laid down his gun, pulled out a pad and pencil, and started sketching. The proud animal became the famous "monarch...

Author: /time Magazine | Title: Letters: Dec. 14, 1981 | 12/14/1981 | See Source »

Twenty-five years ago, everyone knew Sir Edwin Landseer was as dead as a shot stag-dispatched, as it were, by the bullets of postimpressionism and "significant form." Even ten years ago, the idea that a major museum might commit itself to a resurrection of his work would have seemed, if not absurd, at least improbable. Realist revivals were one thing-but Landseer? Yet here he is, in an exhibit that opened last month at the Philadelphia Museum of Art and will go on to London's Tate Gallery in early 1982. And he has been restored with great...

Author: /time Magazine | Title: Art: Resurrection of a Sentimentalist | 11/16/1981 | See Source »

...became a court favorite and a national culture hero by painting dogs. He painted other creatures too-ptarmigans and parrots, monkeys, cats, horses, cattle and, especially, deer; there was a time when no cottage parlor or country hall lacked its framed print of Landseer's defiant twelve-point stag, The Monarch of the Glen...

Author: /time Magazine | Title: Art: Resurrection of a Sentimentalist | 11/16/1981 | See Source »

...glens of the Highlands-connects him to northern European romanticism, in particular to Caspar David Friedrich. When he let his sense of nature as a ground of elemental conflict speak directly, uninflected by sentiment, he produced one of the great images of his century, The Challenge, 1844: a stag bellowing defiance at its swimming enemy in the glacial boneyard of a mountain landscape. Such a painting makes all the dewy-eyed spaniels bearable, if not worthwhile...

Author: /time Magazine | Title: Art: Resurrection of a Sentimentalist | 11/16/1981 | See Source »

...screen of abstraction. Professional actors are neither trained nor eager to display themselves so ruthlessly for millions, and porno stars are unlikely to be convincing in a serious film's nonsex scenes. Audiences may have trouble shifting gears when a character they believe in suddenly impersonates a stag-reel stud. Suspension of disbelief breaks down, viewer becomes voyeur...

Author: /time Magazine | Title: Cinema: Liberation | 11/2/1981 | See Source »

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