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...painterly tradition derives from Pollock, De Kooning and Kline, and Frankenthaler can be called an heiress of it. She might also claim to be something of a pioneer. In 1952, when she was only 23, she developed her "stain technique" as an extension of Jackson Pollock's method of skeining swirls of glossy Duco enamel onto a canvas spread upon the floor. Helen thinned her paint with turpentine and poured it onto the unprimed canvas, so that the paint sank in. The marks of the pouring or brush disappeared, canvas and color became one and the same. The result...

Author: /time Magazine | Title: Art: Heiress to a New Tradition | 3/28/1969 | See Source »

...Split. It was after a 1952 painting expedition to Nova Scotia that Frankenthaler painted Mountains and Sea, a wonderfully warm and gentle abstract landscape in which for the first time she developed the stain technique. She moved her canvas onto the floor and began to use her shoulder rather than her wrist, employed paint cans rather than palettes, and a sponge as well as a brush. With a few minor variations, she still uses the technique today. It enables her to play unendingly with soft, airy, graceful forms...

Author: /time Magazine | Title: Art: Heiress to a New Tradition | 3/28/1969 | See Source »

...housewives still do their wash at home. To brighten, if not lighten, their washday loads, they buy more than $1 billion a year worth of bleaches and bluing agents, starches and softeners, disinfectants and detergents. Now the home laundry market is churning with a new line of stain removers called enzyme pre-soaks. Competition in presoaks has locked two giant soapmakers-Procter & Gamble and Colgate-Palmolive-in a classic marketing battle. It has elevated their rival products, P. & G.'s Biz and Colgate's Axion, to the status of household words...

Author: /time Magazine | Title: Marketing: The Great White Hope | 3/21/1969 | See Source »

Artist may work with space and color. Since Cezanne, an artist's space has been getting shallower and his color brighter. One of the best pieces in the exhibition, Andrew Tavarelli's red, blue, yellow, orange, and green stain painting, again on a gigantic canvas, is color, floating and blowing across a white expanse...

Author: By Richard E. Hyland, | Title: Boston Now | 2/18/1969 | See Source »

Palming the deck, a voter tucked one postal-sized presidential card and one smaller congressional card into his envelope, sealed that and discarded the remainder. He also dipped his finger into indelible ink. The stain then prevented anyone from voting twice...

Author: /time Magazine | Title: Venezuela: The Jolly Green Giant | 12/13/1968 | See Source »

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