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...City That Stopped Hitler-Heroic Stalingrad (Time...

Author: /time Magazine | Title: Cinema: Current & Choice, Oct. 25, 1943 | 10/25/1943 | See Source »

George VI of England gave "the steel-hearted citizens of Stalingrad" a four-foot, two-handed sword with a double-edged blade, a chased silver crosspiece, a grip wrapped in 18-carat gold wire, a pommel of rock crystal...

Author: /time Magazine | Title: People: People, Oct. 18, 1943 | 10/18/1943 | See Source »

...Stalingrad, like most films of real war, generates an even greater power from the dead-ordinary, rather messy shots which incontestably record the immense clumsiness, the spurts of craziness, the human ordinariness of war. The soldiers who crowd a boat to cross the wintry Volga, when the action turns against the Germans, do not look like a turn in the tide of world history: they look like a pack of freezing immigrants. When whole fields of guns go off, the spasm of trees, the twitching of grasses, the shuddering of the soil indicate war's vast violation of nature...

Author: /time Magazine | Title: Cinema: Images of War | 10/18/1943 | See Source »

...City That Stopped Hitler-Heroic Stalingrad (Central Newsreel Studios-Paramount), first Soviet film to be distributed by a major U.S. company, has been called the "mightiest war film ever" (by Manhattan's PM). It has also been called "objectionable in part" (by the Legion of Decency). Reason: the picture "tends to incite hatred of the persons of enemies and to be excessively gruesome." Stalingrad is not by a long shot the mightiest war film ever-Desert Victory (TIME, April 12), for one, was better. Neither can the Legion's objections be entirely brushed off. Nevertheless, the 24 Russian...

Author: /time Magazine | Title: Cinema: Images of War | 10/18/1943 | See Source »

...Stalingrad's images are mere syllables, heroic or humble, in the terrific vocabulary of war which motion-picture cameras are now recording. They turn up in any war film, any good newsreel. What is done with them is what counts. Leonid Varlamov, who edited Stalingrad, is a graduate of the Moscow Institute of Cinema Art, and works in the great tradition of Eisenstein. He has produced a literal, well-organized film, which lacks the heroic imagination that might have made Stalingrad a memorial adequate to the subject. More damaging to Stalingrad is John Wexler's commentary whereby...

Author: /time Magazine | Title: Cinema: Images of War | 10/18/1943 | See Source »

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