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...home Freud was the image of the stalwart, bourgeois paterfamilias. His household, including wife, six children, sister-in-law and a Chow named Jo-Fi, revolved around his activities. The man who stunned the world with his theories about human behavior adhered to a thoroughly conventional routine, as Gay describes...

Author: /time Magazine | Title: Books: A Piece of the True Couch FREUD: A LIFE FOR OUR TIME | 4/18/1988 | See Source »

MARIO PUZO'S THE FORTUNATE PILGRIM (NBC, beginning April 3, 9 p.m. EST). In a mini-series spanning nearly 30 years, Sophia Loren plays the stalwart matriarch of an Italian-immigrant family in pursuit of the American dream...

Author: /time Magazine | Title: Critics' Choice: Apr. 4, 1988 | 4/4/1988 | See Source »

...planned review brought a lash of criticism from left-wing delegates. "Champagne Socialism," they called the new thrust, grumbling that the party was abandoning its traditions to court the growing middle-class voters. Said Leftist Stalwart Tony Benn: "The part at the top is in a panic-stricken rout and is prepared to say almost anything in an attempt to pick up votes...

Author: /time Magazine | Title: Britain: Champagne Socialism? | 10/12/1987 | See Source »

...blitz, reinforced by intensive coverage on national television, the government charged that the P.F.P. was soft on terrorism and Communism and ready to sell out white South Africa to the country's blacks. The Afrikaans-language press harped on the same theme, making much of a photograph of P.F.P. Stalwart Helen Suzman being embraced by Winnie Mandela, wife of the long-imprisoned black nationalist leader Nelson Mandela...

Author: /time Magazine | Title: South Africa A Lurch to the Right | 5/18/1987 | See Source »

Among postwar American entertainers, none provoked that question more often than a kitsch pianist with a scullery maid's idea of a regal wardrobe, who for more than 40 years attracted stalwart Middle Americans to romps that he himself once characterized as "just that far away from drag." As a musician, Liberace was a panderer: he edited classics down to four to six minutes because, he said, his audience would not sit still for anything longer. He sang and tap-danced competently, no more. From the early 1950s, when his syndicated TV show appeared ten times a week...

Author: /time Magazine | Title: Show Business: A Synonym for Glorious Excess | 2/16/1987 | See Source »

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