Word: stampings
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Dates: during 1990-1999
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Senate Was Correct Not to Rubber Stamp Nuclear Test Ban Treaty
...quiet, implacable Englishman--he may as well be a ghost--scours L.A. for his daughter's murderer. Nothing much, nothing new here, unless you care to study how the fingernails of time have raked across Terence Stamp's still handsome face, or see Peter Fonda playing the cool drug lord his Easy Rider character might have become. As he did in Out of Sight, Soderbergh slices, dices and Cuisinarts the script into flashbacks, scene shifts, stop motion and other distracting foolery. Is he working out a new form of visual storytelling, or has the ever-so-promising director...
...Limey, director Stephen Soderbergh (sex, lies and videotape, Out of Sight) challenges genre by remolding the "revenge film" as a neo-noir. English ex-convict Wilson (Terence Stamp) flies to Los Angeles after his prison release to avenge his daughter Jenny's death. Starting with the facts and speculations offered by her friend Ed (Luis Guzman), Wilson stalks a string of criminals he believes are responsible for her mysterious and fatal car crash, eventually confronting high profile 60s record producer Terry Valentine (Peter Fonda). However, as the contrasts between the righteous Limey and slimy Valentine diminish with the film...
...locations (his barren hotel room, her cozy residence, a classy restaurant, a low lit dock). Such scenes are more accurate depictions of Wilson's mentality and fantasies than his interactions with others or even reality itself. Into these prisms of then and now, Soderbergh splices actual footage of actor Stamp in his role as a young British thief in 1967's Poor Cow. Though these montages seem disorienting and self-conscious at first, such sequences gradually reveal the cyclical nature of Wilson's life and the truth behind Jenny's death...
...While Soderbergh's technique brings such crucial themes into focus, it falters by sometimes scattering the scope of the film and jolting the audience from more traditional scenes. Otherwise, The Limey is entertaining as well as innovating. The casting of Terence Stamp and Peter Fonda, whose long and acclaimed careers have paralleled one another on either side of the Atlantic, complements the comparison and contrast of their characters in the film. Stamp's portrayal is at the same time brutal and pathetic. After being humiliated and beaten, Wilson retaliates against his attackers-however, his extreme violence reverberates as frustrated helplessness...