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Last year in New York Resnais met Stan Lee, the creator of Spiderman and the Fantastic Four comics. They had dinner together and Resnais, a comic book collector and connoisseur since childhood, was delighted. "I had read everything he had written for the last ten years. I was totally hooked, and I was surprised to find that the writer was such a lovable person. He told me that he has written more than 7000 stories, and would like to try something else...

Author: By Phil Patton and Sharon Shurts, S | Title: Alain Resnais: From Marienbad to the Bronx | 4/14/1972 | See Source »

...went to producers and offered to shoot the script for a million dollars. No, they said, to do it right you would have to go to Japan for special effects and spend three million: for a million it would only be an "intellectual" film. Now a second script by Stan Lee also seems doubtful of acceptance by American producers, and Resnais speculates on the irony that he may end up shooting The Inmates in a mock-up of the Bronx in Yugoslavia...

Author: By Phil Patton and Sharon Shurts, S | Title: Alain Resnais: From Marienbad to the Bronx | 4/14/1972 | See Source »

ACOLLABORATION of Alain Resnais and Stan Lee, if it is ever realized, may well be a combination as significant and as perfect as that, eleven years ago, of Resnais and the French author Alain Robbe-Grillet, in the creation of Last Year at Marienbad. Filmmaking, of course, has always made strange bedfellows: as different as the American father of Spiderman is from the French creator of the "nouveau roman", and as different as both of these are from the novelist Marguerite Duras, who wrote the script for Hiroshima Mon Amour. Resnais has affinities with all three...

Author: By Phil Patton and Sharon Shurts, S | Title: Alain Resnais: From Marienbad to the Bronx | 4/14/1972 | See Source »

...light of Resnais's lifelong adoration of the comics, his work with Stan Lee may be an equally interesting match, though of a decidedly different tone. The comics have been an avowed influence on Resnais's earlier works; he mentions specifically how, in Muriel, they inspired the overlapping of dialogue belonging to one scene with action of another, and how the action on Marienbad had some resemblance to Phil Davis's Mandrake the Magician...

Author: By Phil Patton and Sharon Shurts, S | Title: Alain Resnais: From Marienbad to the Bronx | 4/14/1972 | See Source »

...WHICH is disheartening, because Cannon Group, Inc., invested a large sum of money and a good bit of time putting it together. There is some good action footage from NHL games that includes nice cameo shots of Stan Mikita, Jean Beliveau, Gordie Howe, and Bobby Orr and an impressive brawl between the Maple Leafs and Los Angeles Kings that apparently was caught by accident...

Author: By John L. Powers, | Title: Winter Comes Early | 3/23/1972 | See Source »

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