Word: standardizing
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...British theater, particularly David Hare plays, he is most warmly remembered by movie audiences for playing the drug-addled rock star Billy Mack in Love Actually and the pirate Davy Jones in the last two Pirates of the Caribbean offerings. (He also appears, his emoting confined to the standard range, as one of Tom Cruise's cohorts in Valkyrie.) Here, outfitted with piercing powder blue eyes, Nighy ascends to scenery-devouring heights that obliterate the boundary between O.K. and awful. You may smile or cringe at Nighy's malefic majesty, but either way, you will savor...
...have had Madoff's years of experience, but his instincts were dead-on: of the $50 million in investor monies, the SEC says Forte deposited $26 million, withdrew $23 million, took $12 million for himself, and gave the rest to early investors, a formula considered the Ponzi gold standard. Forte did not return phone calls to comment on his case. He appeared in court without a lawyer, according to local reports...
...poor, battered currency? Not much - apart from power, influence and an entrée into the highest echelons of the British establishment. These are the potential byproducts of an agreement reached on Jan. 21 by Russian oligarch and politician Alexander Lebedev to buy London's largest newspaper, the Evening Standard, from its current owners Associated Newspapers for the nominal fee of one pound sterling...
...process - and barring any intervention by the British government - will open a new and bizarre chapter in Anglo-Russian relations. Lebedev, after all, is a former KGB operative, who spied on Britain under diplomatic cover during the Cold War, by his own account scouring news sources such as the Standard for tidbits to feed to his handlers back home. His exotic pedigree has caused a few splutters. Richard Ottway, a Conservative MP, said he felt that "the fact that [Lebedev] has been a member of a foreign security service" meant there should be an inquiry into the sale. "I think...
...transported by hot-air balloon into the Land of Sweets where imagination can triumph. It is virtually impossible to destroy, thanks to its timeless Tchaikovsky score—the “Sugarplum Fairy” variation surely has a higher play count than even the most standard of Christmas tunes—and its precious characters. Thankfully, Mikko Nissinen, artistic director of Boston Ballet, has not ventured into the common practice, as of late, of creating some innovative, delirious hallucinogen with no ties to the original, beautiful children’s tale that was E.T.A. Hoffman?...