Word: standing
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Dates: during 1950-1959
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...correspondent tracked down a Flint businessman ("For God's sake, don't mention my name") who had had labor dealings with Kierdorf. The answer raises other questions. What kind of city is Flint? And what kind of nation is the U.S. when it lets Hoffa-type racketeering stand astride U.S. businessmen and workers? The report...
Sheriffs from a dozen neighboring counties sat together in the courtroom to show their regard for lanky (6 ft. 2 in.) Buster Treloar. Encouraged, Sheriff Treloar admitted on the stand that he had rapped Daniel once to make him behave after his arrest for bootlegging and speeding, and that in the jail he had tapped Daniel three or four times on the shoulder and buttocks. Sure, he also nudged him with a toe to sit up for Dr. McMillan. Argued one of Treloar's four attorneys: "You are not trying him for whipping somebody. You're trying...
...explosive has been put into the prominently displayed tumblers of Sponsor Lipton's tea-derives from the widespread belief that Paar permits off-color humor. On the whole the charge is unjust. The show's most celebrated blue note was struck while Paar was on vacation and Stand-In Jonathan Winters allowed Anthropologist Ashley Montague to talk about how lack of breast feeding gives American males a bosom fixation. Jack says he would never have permitted it ("After breast feeding, there's just no place to go"). But Paar does occasionally tarry near the brink...
...necessary for Paar to live at the top of his emotions, because to such a large extent in his work, feeling takes the place of a specific talent. He is no actor, singer or dancer. He is a gifted comedian, but not in the Lindy stand-up-and-knock-'em-dead sense. His comedy is low pressure and has to be, if it is to be tolerated on a nightly 1¾-hr. show. "Nine hours a week," says one awed performer of Paar's stint. "My God, that isn't overexposure, it's practically nudism...
Garcin, the pacifist reporter who ran from war, is excellently portrayed by Earle Edgerton '56. His role requires precise voice control in a dialogue of oscilloscope inflection and mercurial mood. He seems in doubt at times where to stand or what to do with his arms, but he moves deliberately and effectively, and speaks with masterful control...