Word: stanislavskiã
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Dates: during 2010-2010
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Brevity is another key factor to Mamet’s writing—chapters are rarely longer than four or five pages, and paragraphs are often only a sentence or two. The trouble is that this concise style renders his arguments insufficient. To dismiss Stanislavski??€™s entire body of work in seven pages without even quoting the man is more than just a stylistic gaffe—it creates a tone of self-importance and haughtiness that is a aggravating as is it unconvincing...
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