Word: stanley
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Dates: during 2000-2009
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...that little pharmaceutical company startup under his belt, as the two cell phones and two laptops in his Leverett single attest. The scores of cardboard boxes that crowd his common room, marked with magical names like “Goldman Sachs” and “Morgan Stanley,” might also fool you into thinking that Darst is just another ruthless capitalist. But he’s on his way to curing tuberculosis in the Third World. And he likes ballet...
...anti-war sentiment among audience members was evident throughout the evening. Buttenwieser University Professor Stanley H. Hoffman joked with Hitchens when he stepped to the microphone to pose a series of questions...
Kidwai made her name at Morgan Stanley, which she joined in 1994 after a stint at ANZ Grindlay's Bank. At the time, Morgan's operations in India were relatively small. She engineered a joint venture with investment bank JM Financials, making the resulting firm one of the largest in that industry in India. She also aggressively pursued opportunities in technology, nabbing the accounts of Wipro and Infosys, among others, and brokered a joint venture between AT&T and two conglomerates, owned by the Birla and Tata families, to create a telecom company offering cellular service throughout India...
...stage-direction what Sinatra was to lyric-singing: He's a great reader, finding the undertone in every phrase and pause in the text, and translating that understanding into space, time and gesture. Because Essie Davis impresses more as Blanche's sister Stella than Iain Glen does as Stanley (his body and body language are too refined for the character), this beautiful play becomes the story of two sisters: one enslaved to her man because of the great sex they share, the other in the thrall of a past she must relive and deny...
...slashing through large monochrome canvases, for a chance to record his unusual technique for posterity. The resulting six-photo series is presented alongside a new exhibition of the artist's work at Verona's Palazzo Forti. We see the elegantly-dressed Fontana approaching a solid white canvas, a Stanley utility knife gripped tightly in his right hand. In successive shots, we see him with his arm raised and the blade about to pierce the center of the pristine surface; in a whirlwind of motion finishing off the single top-to-bottom slash of the canvas with his knife; and finally...