Word: stanleys
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Dates: during 1960-1969
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From that point on, Pusey asserted and re-asserted his theory of the University as an instrument of social change through its individuals, while the Council members pleaded for its use as a corporate social instrument. Stanley Hoffmann expressed the Council's position best when he said that the "rules of the game" which the University upholds tend to preserve the status...
...effect of this system for handling SFAC resolutions, as Stanley H. Hoffmann said Tuesday night, is to take pressure off Pusey. The President's decision to leave Dow and future resolutions to the Faculty is understandable. "I myself am satisfied that at least there was a Faculty discussion," Hoffmann said. If Pusey had simply rejected the postponement request himself, the Administration would have been the whipping boy for student discontent. "At least in this case," Hoffmann said, "they must be angry with...
...sons and daughters of their friends. Galbraith's dancing style, which consists mostly of hopping up and down in place, has been described as the "pogo-stick stomp." The Galbraiths have three sons of their own: John Alan, 26 (Harvard '63), a clerk for California Supreme Court Justice Stanley Mosk; Peter, 17, an eleventh-grader at Boston's Commonwealth School; James, 16, a sophomore at Andover. A fourth, Douglas, died of leukemia in 1950 at seven...
...cruisers ranging from 24 ft. to 30 ft. in length, switched to a 40-ft. houseboat two years ago so that he could treat clients and their families to weekend jaunts up the Allegheny; he has already ordered a 43-ft. replacement with even more room. Mystery Writer Erie Stanley Gardner likes houseboats so much that he operates two of them on California's Sacramento River. "They're my floating offices, the only place in the world where I can really get away from it all in comfort," says Gardner. But why two? "At night we moor them...
...worshipful new study of his movies (Godard; Seeker & Warburg), the director is "one of the most important artists of our time," worthy of comparison, with Joyce and Vermeer. Pauline Kael of The New Yorker calls Godard "the most exciting director working in movies today." On the other hand, Stanley Kauffmann of the New Republic describes him as "a magician who makes elaborate uninspired gestures and then pulls out of the hat precisely nothing...