Word: stanleys
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Dates: during 1960-1969
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...fail in every impossible way. By shifting the scene from a godforsaken island to an alpine retreat, they are able to engineer a couple of spectacular deaths among the crags, but the mood of boxed-in menace is efficiently destroyed. Held to a laggard pace, such veteran actors as Stanley Holloway, Wilfred Hyde-White and Leo Genn convey the resigned air of specialists summoned too late to be really useful. Mod sex appeal is dragged in by Shirley Eaton, fisticuffs by Hugh O'Brian. And, unlikely as it seems, there is Teen Idol Fabian, quaffing a lethal dose...
...Coop did nothing to hide its chagrin. "The situation isn't good and there's no point in minimizing it," Presdent Stanley F. Teele told the annual meeting of Coop members a month later. And, at the meeting, Teele heard from the Harvard Undergraduate Council one of the angriest statements ever directed at the Coop by a student organization...
...Isolation" of freshmen from upper-classmen and problems in advising them about courses were considered, along with the condition of the freshman dormitories. During the rest of the day, the Committee heard about freshmen from Dr. Stanley H. King, director of Research at the University Health Services; Dean K. Whitia, director of the Office of Tests; F. Skiddy von Stade Jr. '38, dean of Freshmen; and others...
...Warnings. After the war, Maggie moved to Washington, D.C., where she gave up the grind of daily reporting for the more leisurely life of a roving reporter and pundit. She lived in an elegant town house with her husband, Lieut. General William Hall (her first marriage to Philosophy Professor Stanley Moore ended in divorce in 1948), raised two children and cultivated an impressive list of sources. In 1963, she left the Trib to become a columnist for Newsday. She knew how to take a cool, levelheaded look at world affairs, and she disdained those commentators who were addicted to "romantic...
Some Hollywood movies tried for foreign forms; for example, Sidney Lumet's The Pawnbroker, self-conscious despite Rod Steiger's virtuoso performance. Ship of Fools, by the overrated Stanley Kramer, was saved by the performances of three foreign stars, Simone Signoret, Vivien Leigh and Oskar Werner. Nothing But a Man, on the other hand, was persuasively unpretentious: it took a stronger, warmer, more objective look at contemporary Negro life in the U.S. than any other film to date...