Word: stanleys
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Dates: during 1970-1979
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...help fight one of the biggest takeover bids in history, McGraw hired Morgan Stanley & Co., the old-line investment banking firm that is expert in defending takeover targets or at least in forcing the bidder to raise the price. There were hints too that McGraw is shopping around for a "white knight," a buyer more to his taste. Not totally convincingly, American Broadcasting Co. denied reports that it had made an offer for McGraw-Hill...
...brass at the 75,000-member Worldwide Church of God were boggling: $22,571 for a stay at the Hotel Plaza Athénée in Paris; $12,402 for six pieces of Steuben glass; $7,509 for furnishings at Church Treasurer and General Counsel Stanley R. Rader's pad in Tucson. In just one year, the lagniappe of church VIPs totaled more than $1 million...
...size of barge tows (the number lashed together) would make the smaller waterway obsolete before it was built. The corps also claims that Congress had tacitly approved the change by repeatedly voting annual appropriations for the project. Explicit authorization, says the corps, came from Secretary of the Army Stanley Resor, who wrote a memo in 1967 approving the larger waterway...
...tight, but the intricate mini-fugues and pompous fanfares that highlight the horns still sound gratuitous. The vocal sections are disappointing; Chick's voice lines are difficult, and Gayle Moran has the training but not the panache to sing them convincingly (where O where is Flora Purim?). Bassist Stanley Clarke cannot sing well--and on this date he sounds like he has both a head cold and a bad case of stage fright. The banal lyrics don't help matters...
...next three sides highlight individual performances. Gayle Moran's rendition of "Come Rain or Come Shine" falls flat--she should know enough to stay away from such a gutsy jazz singer's standard. Serenade features Joe Farrell's tenor sax, an undersung quantity if there ever was one. Stanley Clarke performs a lengthy acoustic bass solo that is more a technical coup than a creative improvisation. His sheer enthusiasm makes the cut listenable despite serious intonation problems. Corea begins the show's finale with a 17 minute piano solo. His playing is so damned interesting that he very nearly carries...