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Prominent essayist Stanley Crouch said Burns had not sufficiently emphasized the role of race in jazz history...

Author: By William M. Rasmussen, CRIMSON STAFF WRITER | Title: Ken Burns Speaks on Jazz | 2/8/2001 | See Source »

...They slashed their inventories and their payrolls, and now many are even beating Wall Street's (much lowered) expectations. That's great, but listen for a moment to Morgan Stanley chief economist Stephen Roach. "Five of the last six U.S. recessions have had a double dip, in which we've seemed to come into a recovery and then had a relapse," he says. "It takes that second dip to purge the economy of excesses...

Author: /time Magazine | Title: Wait. It is not over yet | 2/4/2001 | See Source »

...least four generations are represented (along with voices from much further in the past): bluegrass patriarch Ralph Stanley, veterans such as Norman Blake and John Hartford, neo-trad practitioners like Alison Krauss and Gillian Welch, and the Munchkin-voiced Peasall Sisters (average age eight and a half). But the years fade away as the artists converge on an old-timey repertoire of sparsely arranged, vocally oriented songs that hark back to a pre-commercial time when singing was as integral an element of people's lives as work, love and religion, all of which it encompassed. This isn't folk...

Author: /time Magazine | Title: The Bluegrass Just Keeps Growing | 2/1/2001 | See Source »

...include multiple versions of "Man of Constant Sorrow," "Man of Constant Sorrow," particularly those by the Soggy Bottom Boys (actually, varying configurations of Union Station and friends); Chris Thomas King's bluesy "Hard Time Killing Floor Blues"; "I'll Fly Away," by Alison Krauss and Gillian Welch; and Ralph Stanley's a cappella version of "O Death," a stark, primordial Appalachian apparition. But even such an unvarnished evocation of mortality doesn't cast a shadow over the collection's - and the film's - overall mood of sweet melancholy, encapsulated by Harry McClintock's 1928 recording of "Big Rock Candy Mountain...

Author: /time Magazine | Title: The Bluegrass Just Keeps Growing | 2/1/2001 | See Source »

...anyone was qualified for the job of assembling a Bill Monroe tribute, it was Ricky Skaggs. A virtuoso mandolinist and multi-instrumentalist who was playing with Ralph Stanley by the age of 16, Skaggs shared the stage with Monroe when still a child, and has been delivering on that promise ever since. For "Big Mon," Skaggs has reached well beyond the predictable bluegrass circles, and the success of the enterprise is a testament to the unassailable quality of Monroe's craft as much as the contributions of the individual performers...

Author: /time Magazine | Title: The Bluegrass Just Keeps Growing | 2/1/2001 | See Source »

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