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Retired Admiral Stansfield Turner, who was director of the CIA from 1978-1981, was in Boston this week to promote his proposals for dramatic unilateral nuclear weapons reform...

Author: By Joshua E. Gewolb, CONTRIBUTING WRITER | Title: Turner Calls for Nuclear Protests | 10/24/1997 | See Source »

...took Cole Porter to prove Lisa Stansfield really had soul. On Red Hot + Blue, a 1990 tribute album to Porter, she contributed a sublimely sophisticated version of Down in the Depths. The song showed off the pop-soul diva's skills as a vocal interpreter; the number also demonstrated how good she could be when her material was as strong as her sure, supple voice...

Author: /time Magazine | Title: MUSIC: RETRO SOUL | 10/6/1997 | See Source »

...Stansfield's new album, Lisa Stansfield, is the British singer's reintroduction to American audiences (her last U.S. release, Real Love, was in 1991). "We released a [follow-up] album, but it wasn't released in the states," says Stansfield. "Nothing was going on here that it sort of fit in with." But now, with lightly talented, heavily marketed acts like the Spice Girls tearing up U.S. charts, why shouldn't Stansfield have another...

Author: /time Magazine | Title: MUSIC: RETRO SOUL | 10/6/1997 | See Source »

Most of Lisa Stansfield is a slow-building, slow-burning pleasure. This is soul lite, harking back to the '70s, to Barry White, Roberta Flack and Diana Ross. The song Never, Never Gonna Give You Up evokes the throb of disco, but in a comely, cooing, classic way; Honest is a soul-baring ballad with an intimate, unadorned sound that leaves Stansfield's voice free to shimmer in the foreground; and I Cried My Last Tear, Last Night is an unabashed I-won't-get-stepped-on-in-relationships call to arms that makes its case passionately but not gratingly...

Author: /time Magazine | Title: MUSIC: RETRO SOUL | 10/6/1997 | See Source »

...Braxton. Blige's previous CDs had some charming cuts, including the bighearted Real Love and her show-stopping remake of I'm Goin' Down. Those albums, however, were tailored for hip-hop audiences; Share My World, seems designed to appeal to lovers of the Wu-Tang Clan and Lisa Stansfield alike. The first song, I Can Love You, draws its melody in part from Lil' Kim's crass but compelling song Queen Bitch, but Blige, employing nimble vocals and all-new G-rated lyrics, transforms it into something mellow and moving. The ubiquitous Babyface produced two songs on World, including...

Author: /time Magazine | Title: MUSIC: MARY'S NEW WORLD | 4/28/1997 | See Source »

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