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Word: stanza (lookup in dictionary) (lookup stats)
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...Crimson looked much more comfortable starting in the second period, a stanza it controlled despite not scoring. Referee Scott Hansen waved off two Harvard goals in the period, one when he ruled the net dislodged early and another coming off a premature whistle. Hansen also disallowed a potential second Cornell goal in the first period...

Author: By Elijah M. Alper, SPECIAL TO THE CRIMSON | Title: Midnight Strikes For M. Hockey at ECACs | 3/31/2003 | See Source »

...Crimson looked much more comfortable starting in the second period, a stanza it controlled despite not scoring. Referee Scott Hansen waved off two Harvard goals in the period, one when he ruled the net dislodged early and another coming off a premature whistle. Hansen also disallowed a potential second Cornell goal in the first period...

Author: By Elijah M. Alper, SPECIAL TO THE CRIMSON | Title: Midnight Strikes For M. Hockey | 3/21/2003 | See Source »

Although each goaltender finished the opening stanza with 11 saves, it was O'Connor who put on the show, incurring a roughing penalty for hitting Scott Fusco in the head at 3:44 and denying both Fusco and Greg Olson from in close on several occasions...

Author: By Michael Bass, | Title: Icemen Nip Eagles, 2-0, In Playoffs | 2/9/2003 | See Source »

Harvard pressured Columbia for much of the second stanza, but was unable to tally the game-tying goal. One of the Crimson’s best second-half scoring opportunities came when junior forward Ladd Fritz was tripped up on a breakaway inside the penalty box area, yet no calls were made. This last non-call came minutes after Cornish’s shot went astray off a defender but no corner kick was awarded...

Author: By David Mu, COTRIBUTING WRITER | Title: Lions Doom M. Soccer NCAA Hopes | 11/12/2002 | See Source »

...songs like “The Post,” Van Dam highlighted the contrast between the cheerful opening and the abrupt change of mood in the second stanza. Each utterance of “Mein Herz” (“My Heart”) encompassed the emotional spectrum, from optimism to anguish. At his finest moments, he was able to take a semi-strophic song, like the opening “Gute Nacht” (“Good Night”), and turn it into a compelling narrative, making the music speak differently each time it reappeared...

Author: By Anthony Cheung, CRIMSON STAFF WRITER | Title: A Winter's Tale | 10/24/2002 | See Source »

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