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Call it commodity chic. Marketers of watches and desk chairs, lawn sets and household tools are courting the world's top artists in a bid to make design a critical selling point. Like Graves, architect Philippe Starck is busy putting his mark of conceptual brilliance on a lineup of bathroom fixtures, from sinks to urinals, for the German company Duravit. And designer Marc Newson, 35, has done kitchen accessories for Italy's upscale Alessi, a bicycle for Denmark's Biomega, and the bar at Andre Balazs' new Standard Hotel in Los Angeles--in addition to a car for Ford...

Author: /time Magazine | Title: The Allure of Commodity Chic | 8/30/1999 | See Source »

...quarterly in which edgy visual artists of every stripe explore one subject, has turned to the Bible. Catherine Chalmers has a sexy take on the serpent, above, and Enrique Badulescu recasts David and Goliath as fashion models. A curved wooden Frank Gehry creation becomes Noah's Ark. Even Philippe Starck's spiky plastic packaging is fun. Not as visionary as the original, but fascinating...

Author: /time Magazine | Title: Readings | 8/30/1999 | See Source »

...Barbie program truly in their best interests or merely another frightening example of the power of consumerism? I hope that when my children are teenagers, unlike Barad's two sons, they have better things to do with their time than be online eight hours a day. CAROLINE STARCK Germantown, Tennessee...

Author: /time Magazine | Title: Letters: Dec. 16, 1996 | 12/16/1996 | See Source »

...Dowidchuk 2-6 0-1 4; Julie Breckenridge 4-9 2-4 10; Sandi Bittler 4-11 4-6 14; Leah Spraragen 4-14 2-2 13; Hilary Malcarney 3-4 2-2 8; Jeany Carlson 0-1 3-4 3; Kaaren Andrews 0-0 0-0 0; Tracy Starck...

Author: By Angela M. Payne, | Title: W. Cagers Break Jadwin Jinx | 2/26/1990 | See Source »

...best bold stroke was to hollow out the Royalton's long, block-through, columned lobby and bring it alive. People sit here and talk nonsense to one another, order tea -- a liquor license is still to come -- wait for somebody to tilt a chair back, argue about what Starck did right and wrong. (Right: a bar, made of dark marble, with a lovely, sinuous stainless-steel footrest, and a thin strip of glowing blue glass set into the top. Wrong: tacky purple ropes with tassels, holding up enormous mirrors...

Author: /time Magazine | Title: Travel: An Ocean Cruise in Manhattan | 12/19/1988 | See Source »

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