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Guitarist Graeme is now in London, leading his intent-on-stardom band the Cakekitchen; Peter remains in New Zealand (though he toured the US last year), producing records and playing piano and drums and singing on his own releases, which continue the TKP sound more effectively (Any record Peter plays on is good.) Besides being superb minimalist musicians, and haunting lyricists, and (both) capable of acoustic solo outings so emotionally honest that your ears may burn, the Jefferies brothers were also able to fly off no noisy "experimental" larks. It's a measure of how intense the rest...

Author: By Steve L. Burt, | Title: Two Brothers from the Southern Hemisphere | 3/3/1994 | See Source »

...otherworldly glamour, is a New Age evil stepmother; in her sleepytime voice, pod threats have the thrill of seduction. And Anwar (Al Pacino's dance partner in Scent of a Woman) plays Marti as honest, balky, easily bruised; already she has the edgy assurance of a pro slated for stardom. Her soft lashes and wary eyes, which make her look as if she has just been prodded awake into a nightmare, key this haunting film's message: that life has to be faced with eyes wide open. Otherwise . . . to sleep, perchance to scream...

Author: /time Magazine | Title: Sleepless and Skedaddle | 2/14/1994 | See Source »

...current college-age generation, watching "Bonnie and Clyde" is a little bit like traveling back in time. It features Faye Dunaway, Warren Beatty, Gene Hackman and Gene Wilder, long members of the Hollywood annals of stardom, in one of their debut performances. It also provides the escapistoutlaw inspiration for some contemporary faves like "Thelma and Louise" and "A Perfect World." But the outlaw-chase film is at its very best with "Bonnie and Clyde...

Author: By Deborah E. Kopald, | Title: Faye Love Breaks the Bank | 2/10/1994 | See Source »

...SHELL NDEGEOCELLO IS A gay, black, single mother with a shaved head and a nearly unpronounceable name (actually, it's Me-shell Nuh-day-gay-O-chel-lo). Not the usual stuff of rock stardom. Female rockers have a better shot, convention holds, if they are boy toys with cute, catchy names like . . . Madonna. NdegeOcello spent two years trying to interest record companies in her iconoclastic music, a shotgun marriage of funk, jazz, hip-hop and angry poetry that she calls "brokenhearted revolutionary love songs." Finally, in despair and ready to enroll in barber school, she got a phone call...

Author: /time Magazine | Title: Rhymes Of Passion | 2/7/1994 | See Source »

...save in her exquisite portrayal of a doomed Janis Joplinesque singer in The Rose. Midler's style is ironic, mocking, frequently distanced from the material she is playing. The Momma Rose of Gypsy is a desperate, driven woman, unfazed by law or morality in her single-minded pursuit of stardom for her children and, by proxy, herself. Her life is about perseverance, not talent. Irony has no place in her makeup...

Author: /time Magazine | Title: Bette Comes Up Roses | 12/13/1993 | See Source »

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