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Throughout the '30s, Cagney enjoyed stardom in a series of feisty, defiantly urban parts: a street-smart swindler in Blonde Crazy (1931), a slum-bred cop in G-Men (1935), a ruined bootlegger in Angels with Dirty Faces (1938). By late in the decade he was one of the highest-paid actors in the country, a status he achieved partly by walking out repeatedly on Warners to press for higher pay and protest its grueling working conditions and bumper-to-bumper production schedule. For all his fame, Cagney had little taste for Hollywood night life. He liked best the company...

Author: /time Magazine | Title: It Was All Big - and It Worked:James Cagney: 1899-1986 | 4/14/1986 | See Source »

Once off the pedestal, Reynolds could create memorable types. Nowhere in English art is there a sweeter, tougher demimondaine than his Mrs. Abington, reflectively sucking her thumb whilst sizing up the audience with a level look annealed by years of prostitution before her stardom as a comic actress. And it would be difficult to imagine a more sympathic portrait of a minor writer than his study of Giuseppe Baretti, shortsightedly scrutinizing a book inches from his eye with the greed of a man devouring an orange. In Reynolds' intimate portraits, the aura of classical make-believe becomes an ironical virtue...

Author: /time Magazine | Title: Art: Mixing Grandeur and Tattiness | 3/31/1986 | See Source »

...After sweating without stardom in the ranks of the Joffrey Ballet and trying to carve a career as a free-lance journalist, Ron Reagan, 27, has unabashedly decided to seize the advantages his surname affords. "People told me I'd be a fool not to," he says. "If people insist it's an unfair advantage, at some point you have to say, 'Who cares?' " His risky and risque performance as guest host of S.N.L. displayed the stage polish that runs in his family, aiming him toward a new career as a television personality...

Author: /time Magazine | Title: I'M Trying to Have Fun | 2/24/1986 | See Source »

...past decade by the shrewd, colorful headliners of Gospel TV. While impressing some as shallow and vulgar popularizers, they bring real inspiration and solace to others. Their past struggles in low-paid Gospel circuits bespeak a deep commitment, whatever skepticism might be aroused by their present enjoyment of stardom's rewards. They have changed the face of television; they may be gradually altering the very nature of American Christianity...

Author: /time Magazine | Title: Religion: Power, Glory - and Politics | 2/17/1986 | See Source »

Chicago's troupes honor their forerunners who went on to stardom from the Second City--including the company of that name, which propelled Mike Nichols, among others, to Broadway and Hollywood--but the new generation is holding on fiercely to what they have built back home. Having savored the East and West coasts, they insist on returning to the heartland. Their commitment is yielding a season any city might envy. Last week Danny Glover, the busiest black actor in Hollywood (The Color Purple, Witness, Silverado), made his Chicago stage debut at Steppenwolf's intimate--and perforce uncommercial--211- seat space...

Author: /time Magazine | Title: Theater: Second City, But First Love | 2/17/1986 | See Source »

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