Word: stares
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Dates: during 1970-1979
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...they go to the Aquarium. It's a good place to alter your state of consciousness. The Aquarium T station is decorated with surrealistic products of some itinerant artist's amphetimine psychosis. Inside hordes of New England's youngest and finest stare at frenetically twisting whales...
While Stone fails to control Toope carefully enough, he certainly clamps down on Lizellen La Follette, who plays the virginal Agnes. Her dull monotone and glazed stare were intended, one supposes, to convey her innocence. But we only know that she embodies purity and goodness because others characters tell us she does. Soft violin music accompanies her entrances. All La Follette's performance suggests is that Agnes lacks personality...
...flaw in Sellon's directing: He is not secure enough to let the audience find things funny without prodding, and he doesn't understand that even stereotypes need life breathed into them. In addition, Sellon lacks technical skills as a director. Characters turn upstage for no apparent reason, or stare at the ceiling in obvious discomfort. Sellon chooses to have actors find their puns stupendously funny, depriving the audience of a chance...
...also uses a variety of psychological ploys to gain the upper hand over his opponent. At the beginning of each bout etiquette dictates that each fencer salute the director (referee) and his opponent with his blade. Vastola says "when I salute my opponent I give him a long, hard stare. It doesn't have to be too menacing and malicious although sometimes that helps too. You maintain eye contact. I remember earlier in the year against North Carolina seeing my opponent nervously avert my stare. That boosts my confidence and drains...
...were to paint a picture of the devil, I would use the eyes of Ayatullah Khomeini. They are cold, calculating, cruel, cunning, void of love and honor. I'll take a big toothy smile any day to this man's hard expressionless stare...