Word: stark
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...they have always hated the euro and are now using their hedge funds and media operations to bring it down. Some suggest that speculators are attacking the euro to block moves toward tougher European Union regulation of the market. Others, like European Central Bank chief economist Jürgen Stark, suggest people are perpetrating a ruse to hide the U.K.'s budget deficit. "It's astonishing to see where most of the criticism of the euro is coming from," Stark says. "Much of what they are printing reads as if they were trying to deflect attention away from problems...
...family spends much of their time wishing they were elsewhere. Amanda (Caroline R. Giuliani ’11) constantly relives her past as a Southern Belle besotted by male attention. She wants the same youth for her 23 year-old daughter, Laura. But Laura (the wide-eyed Rachel A. Stark ’11—a Crimson news editor), who is slightly disabled and cripplingly shy, instead devotes her days to her collection of glass animals. In and out clamors Tom (David J. Smolinsky ’11), Laura’s exuberant and adventurous younger brother, who dreams...
...times, such efforts at intimacy tend toward the pedantic. Midway through the play’s intermission, Stark emerges from backstage and begins to toy with the hanging sculpture. Her inviting looks and teasing air seem to beckon viewers to play along. Some audience members joined in, but the rest of the room froze. It’s one thing to slip into Laura’s world, another to be dragged...
...illuminated white line bisects the endless black of the Boston University Theatre’s Stewart F. Lane and Bonnie Comley Studio 210. Simple and stark, this white line is the lone scenic element in the Boston Center for American Performance’s minimalist production of Paula Vogel’s “How I Learned to Drive”—yet, any further set would have been needless in this superbly acted, provocative memory play, which runs through...
...contrast, “First Comes the Wish,” the album’s 15th track, is defined by heavy guitar riffs, haunting vocals, and synthesized bells. It marks a stark departure from the upbeat but restrained music that defined Field Music’s earlier career, while standing out from the rest of the album with its rock-oriented directness...