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Word: starke (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Brooks Atkinson '17 of the Times called it "one of the memorable works of the century as verse, as drama and as spiritual inquiry." He termed the production "magnificent," and said, "In every respect, J.B. is theatre on its highest level." More recently he called the play "a stark portrait of ourselves composed by a man of intellect, faith and literary virtuosity...

Author: By Caldwell Titcomb, | Title: More on 'J.B.' | 1/7/1959 | See Source »

Equally successful is the butterfly-roofed conference hall. With roof and monumental façade shaped from folded concrete slabs, it attains simple dignity by the drama of its stark engineering. Says Nervi: "At last reinforced concrete has become a 'noble' architectural material...

Author: /time Magazine | Title: Art: Palace of Concrete | 12/8/1958 | See Source »

Theatre East (Sixtieth Street near Third Avenue) is a cramped basement whose very slightly claustrophobic atmosphere reinforces the mood of the play, which is given in three-sided arena style with the audience close upon it. The arena arrangement strengthens the claustrophobic feeling, and Jack Youngerman's stark set does nothing to dissipate...

Author: By Julius Novick, | Title: Genet's Deathwatch in New York | 11/21/1958 | See Source »

Last week the product of Tobias' threes-months' stay in the Amarakaire village was on view at Manhattan's Peridot Gallery. In large, freely stroked oils, brown-banged, stark naked warriors tumbled in play; the camouflaged mask of a jaguar peered from a matted jungle...

Author: /time Magazine | Title: Art: Call of the Jungle | 11/10/1958 | See Source »

...world and the cosmos as well. The masks of the actors bear a bizarre and wholly appropriate resemblance to the grotesque faces of the magnified reptiles and insects seen in the Brattle's introductory short subject. Tanya Moiseiwitsch has provided lighting, costumes, and a set too stark ever to suggest some transcendent tempering of the harsh natural order of things. And Yeats' translation of the chorus' last lines--"Call no man fortunate that is not dead./The dead are free from pain"--crystallizes the pessimistic fatalism and brooding sense of ultimate doom that pervade the whole from the outset...

Author: By John E. Mcnees, | Title: Oedipus Rex | 11/4/1958 | See Source »

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