Word: starke
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Dates: during 1960-1969
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America's Puritan sense tends to regard evil in stark terms of black and white. It has been pointed out endlessly, and correctly, that the western, with its crude division of good guys and bad guys, is the nation's archetypal art form. Evil has thus been transmogrified, whenever possible, into the definable, detestable enemy-like Hitler, say-who could always be defeated by the forces of justice. The national instinct to juxtapose good and evil is summed up with only a touch of irony by W. H. Auden's nostalgic reference to simpler times...
...anthology of revelations and confessions, Z employs no metaphors and few euphemisms. It needs none. The time is yesterday, and the location is the birthplace of democracy. The ironies are only too severe, and the tragedy only too profound. The film's end is a simple, stark report: the April 1967 coup restored the corrupt police officials and gave their homicidal accomplices token sentences. The prosecutor was forced to resign and go into exile...
...stark hopelessness could not be ignored as you walked past the White House with your tiny candle and yelled out a dead man's name. You couldn't see the mansion because those with the hands on the buttons had switched on lights which blinded your vision as you passed. You couldn't even see the line of candles going up Pennsylvania Avenue. They were too weak...
...rises against the sky without any respect for anyone, defying human perception. Look at it: it is only an image, the stark print of a monolith, pasted on blue paper. Touch it-it is mere granite. It makes no noise, has no odor. Even as you shiver in its shadow, you forget it exists...
...Boorstin also has going for him the gracefully stark set, costumes, and lighting (by Bruce West, Joan Minto and Jim Harrison, respectively) and a swell rock band, The Rhythm Method, whose rendition of John Hall's music for "Morning" give that play the ersatz soul quality that helps make it tick...