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Keeping with something of a tradition, the Harvard-Radcliffe Orchestra has a big-name guest solist, cellist Janos Starker. Though Vivaldi concerti are not everyone's favorite, the Dvorak should be an exciting piece; and the inclusion of Stravinsky's Petrushka was a good choice. Class consciousness has returned to Harvard: seats at Sanders will be sold...

Author: NO WRITER ATTRIBUTED | Title: Classical | 11/1/1973 | See Source »

SANDERS THEATER. Harvard-Radcliffe Orchestra. Stravinsky: Petrushka; and Janos Starker, cello soloist, in concerti by Dvorak and Vivaldi. Tickets: $4-3-2-1 at Holyoke Center Ticket Office. Friday, November...

Author: NO WRITER ATTRIBUTED | Title: Classical | 11/1/1973 | See Source »

...although many differing interpretations of the McGovern phenomenon have been advanced, the South Dakota Senator is not considered to be just another Hubert Humphrey by the left. The contrast between his positions and those of Richard Nixon is starker than in any Presidential election in recent memory. The left has been forced to take a stand on McGovern and step on to the unfamiliar terrain of a major electoral campaign...

Author: By Daniel S. Wanson, | Title: The Left Looks At the McGovern Campaign | 10/16/1972 | See Source »

...essence of Schoenberg, Debussy, Berg, and Webern was the acute, almost palpable response to the most minute patterns of life. They expressed this in a new voice of polychromatic sounds of momentary durations. The fluid immediacy of impresssonism and the starker psychology of expressionism began to lose their distinctiveness and prove permeable and complementary. The last magnificent statements of the musical expressionistic esthetic were Alban Berg's operas Wozzeck (1921) and Lulu (1935), and his Violin Concerto (1935), an elegy written upon the death on Mahler's daughter Manon. The neurasthenic romanticism of Mahler was transmuted in these works...

Author: NO WRITER ATTRIBUTED | Title: The Musical Avant-Garde | 5/15/1969 | See Source »

Troubled by such problems, Cellist Janos Starker recently hit on a solution that is "so simple as to be almost silly." Working with a Chicago violinmaker and a specially designed drill, he bored small, cone-shaped holes in the undersides of the bridges of several string instruments; these holes, says Starker, act like tiny megaphones and "dramatically" amplify the quantity and quality of the tone. So far, he has applied his treatment to 50 string instruments, including the Stradivari played by Chicago Symphony Associate Concertmaster Victor Aitay, who says it has made a "tremendous difference." Starker has applied...

Author: /time Magazine | Title: Instruments: The Little Wooden Song Box | 12/30/1966 | See Source »

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