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...Blade Runner, isn't too good, but he's very true. Deckard is a product of his society, and it is a society with which we can readily identify. Director Ridley Scott presents a very bleak landscape for his depiction of Los Angeles in the 21 St century. The stark buildings, neon signs, and dismal rain paint the picture of a world without any connection to human emotion or morality. It is a world which could easily be ours...

Author: By Lewis J. Desimone, | Title: Serious Science Fiction | 7/30/1982 | See Source »

Suddenly, during a TV news report on the Israeli conflict in Lebanon, the screen goes blank. White lettering appears on a stark black background: "22 seconds deleted by Israeli censors." Or footage is left intact, but a legend is superimposed: "Cleared by Israeli censors." Night after night during the past couple of weeks, such unfamiliar signs of censors' intrusions have punctuated newscasts on ABC, NBC and CBS, usually in stories about suffering by Lebanese civilians in bombed-out Beirut...

Author: /time Magazine | Title: Press: A Double Standard for Israel? | 7/12/1982 | See Source »

...atrocities of battle; Doris Lessing's Homage for Isaac Babel is about the inability of children to comprehend the depths and subtleties of Babel's deceptively plain fictions. But most of the tales are discrete, ironic parables, works, as Irving Howe describes them, "brought to a stark conclusion-abrupt, bleeding, exhausting...

Author: /time Magazine | Title: Books: Brevities | 5/31/1982 | See Source »

There is a wonderful movie fighting to get out of this $50 million musical. Unfortunately for Producer Ray Stark, the movie is Camille, that transcendent Garbo weepie, which Daddy Warbucks takes his button-eyed orphan to see at a Radio City Music Hall advance screening. (Quite a bit in advance: Annie is set in 1933; Camille was released in 1937.) In an adroit 4½-minute condensation, the tragic story of Marguerite and Armand unfolds, brief and mesmerizingly beautiful. The clip also possesses an innocence, a sweetness of spirit, that this 1982 blockbuster never even tries to capture...

Author: /time Magazine | Title: Cinema: Bowwow! Says Sandy | 5/24/1982 | See Source »

With both NBC and HBO paying more than $10 million for television rights, with guarantees from theater owners nearing $25 million, and millions more in licensing fees for Annie dolls, dresses, books, crayons, etc., Ray Stark may already be close to breaking even. But Stark wants more: a megahit success for his baby. "I can only hope," he told the New York Times, "that on my tombstone are the words: 'Annie, she is the one I was looking for.' " Funeral services may be held starting this week at a theater near you. -By Richard Corliss

Author: /time Magazine | Title: Cinema: Bowwow! Says Sandy | 5/24/1982 | See Source »

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