Word: starks
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...Kiernan and Vucic observed that this twitch, as registered on their computer screen, was more pronounced in 28 MND patients than in people free of the disease; even a smaller current produced similar results. "The difference was stark," says Kiernan. "Almost as soon as we'd start the test, Steve and I would know (if the patient...
...master's most famous images from the 1950s to the present. Among them is the haunting Bottle Melted and Deformed by Atomic Bomb Heat, Radiation, and Fire, Nagasaki-a gelatin silver print that darkly conveys the force of the atomic bomb that had devastated the city in 1945. The stark Prostitute, Nagoya conjures up the seedier underbelly of the mid-century boom years. Later images-like the strange, wriggling creatures of Ruinous Garden, or the rusting steel of the series Scrapped Boat, Nagasaki-are more abstract and puzzling, as if mirroring the confusion and disillusionment that took hold when...
...stark Prostitute, Nagoya conjures up the seedier underbelly of the mid-century boom years. Later images - like the strange, wriggling creatures of Ruinous Garden, or the rusting steel of the series Scrapped Boat, Nagasaki - are more abstract and puzzling, as if mirroring the confusion and disillusionment that took hold when the boom turned to bust. Poised between the horrors of its past and the possibilities of its future, modern Japan has been a society in constant flux: there can be few more acute observers of this process than Shomei Tomatsu...
...contemporary environmentalist movement faces a stark choice: change tactics or fade into irrelevance. Over the past decade, environmentalists have achieved few political victories and utterly failed to influence the general public. As indicated by a recent MIT study, the public knows little about environmental problems, and cares less. Out of 21 national and international issues, Americans ranked environmental problems 13th, well below terrorism, taxes, crime, and drugs...
...ominous as this one is. It's not just the revelation about sexual abuse that son Christian lays on the guests at his father's 60th-birthday party but also the eerie nonreaction to it--the way the placid surface of programmed jollity barely ripples. That, along with the stark, almost abstract staging by director Rufus Norris, gives this London import (an adaptation of the Danish film The Celebration) the hollow, haunted feel of Samuel Beckett, not Arthur Miller. With a strong American cast (Julianna Margulies and Michael Hayden, above), it's the take-no-prisoners drama of the Broadway...