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...most rewarding thing in show business is to become a brand name, presold to audiences, like Agatha Christie or Neil Simon. Andrew Lloyd Webber may be headed toward that status as composer of such glossy, high-energy musicals as Jesus Christ Superstar, Evita, Cats and Starlight Express. Lloyd Webber has mastered the trick of seeming to juggle big ideas while actually asking little of his audience beyond a pleasant passing of time...

Author: /time Magazine | Title: Theater: Bright Lights and Heartache Song & Dance | 9/30/1985 | See Source »

...easiest way for an astronaut to find the earth in the darkness is to search for a disappearance of stars, to look for the curve of blackness seemingly cut out of the heavens. That blackness, that absence even of starlight, is the round and solid earth looming only 200 miles away...

Author: /time Magazine | Title: Space: Knocking On Heaven's Gate | 11/26/1984 | See Source »

...General Assembly meeting, and to get a look at Gromyko five days before their White House talk. The Soviet Foreign Minister, showing a rare smile, was the ninth of more than 200 foreign dignitaries to file past the President at the head of the receiving line in the Starlight Roof of the Waldorf-Astoria. Reporters timed their handshake at a long 23 seconds. Gromyko reminded Reagan that they had greeted each other once before, in 1973, when the then Governor of California was introduced to Soviet officials accompanying Leonid Brezhnev on a visit to President Nixon in San Clemente.* Reagan...

Author: /time Magazine | Title: Holding Their Ground | 10/8/1984 | See Source »

Lloyd Webber's Starlight Express, a homage to trains, with lyrics by Richard Stilgoe, is (surprise!) the season's hottest ticket. It is also just about a total bust. For this multimedia combo of Rollerball and The Little Engine That Could, Designer John Napier has ramped and revamped the huge Apollo Victoria Theater, allowing the young cast room to roller-skate through three levels of the audience. But all the amplified sound and whirling energy cannot hide the show's vacuity. The story line is repetitive and inconsequential; Trevor Nunn's staging is an elephantine parody...

Author: /time Magazine | Title: Theater: With a Little Help from Our Friends | 8/13/1984 | See Source »

...entire National Theater-is Designer John Gunter. His garden and woodland sets provide the perfect trysting place for sobriety and anarchy, and the majestic train engine he sends chugging toward the audience at play's end is more effective than any of the loco motion in Starlight Express...

Author: /time Magazine | Title: Theater: With a Little Help from Our Friends | 8/13/1984 | See Source »

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