Word: starring
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Dates: during 1960-1969
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...family had been under the influence of the Stocker-Kohler "holy family." The ex-priest and his mistress believed that they had been chosen by God to lead the survivors of a coming apocalypse. Minutely detailed instructions for the group came from a Carmelite nun, known as "the Little Star," over her "direct telephone to heaven...
Wallace Stevens once wrote that a community of originals is not a community. But each year brings more originals, more actresses like Mia Farrow, who asks: "What does it mean to be a star today? The only real value it has is in being offered more and better parts." And Dustin Hoffman, who says, "I've always had this fantasy?every actor has, I guess?that when I made it, I'd be able to do whatever I wanted." Up in the Hollywood hills, the superstars may grumble at the youngsters who have turned their backs on the old values...
...myths for old. The Graduate and Rosemary's Baby spin a new myth of lost innocence, of the individual against the wicked system. The new young actors themselves represent the death of many myths?among them, the one of the movie star. The big press buildup, the house in Beverly Hills baroque, the ostentation and the seven-picture commitment are giving way to a stubborn kind of performer who is as suspicious of the Hollywood system as a student rebel is of the university trustees. Many of the young stars are, in fact, anti-stars, who fight against the inducements...
...anti-star attitude itself threatens to become a new pose or convention in which the Hollywood swimming pool is replaced by the interesting East Side pad, the Valley ranch by a Martha's Vineyard retreat, the antic table-hopping by frantic political activism. At any rate, both Farrow and Hoffman live and breathe the new freedom; both have opted for the small apartment over the big house, the East over the West, Both feel that though there may be New York and New York, and Chicago and Chicago, there is only one Los Angeles. "I'm not connected with...
...anti-star occasionally flashes star temperament. Donald Driver, director of Jimmy Shine, remembers that "Dustin cut his finger on opening night in Baltimore. Long after it had healed, he insisted that the stage manager announce to the audience that Mr. Hoffman was appearing with a cut finger. It was a blatant bid for public sympathy." It also appears that Dustin never became too big to pick up small change. Jimmy Shine Producer Zev Bufman calls him "a hard bargainer who held us up for half the profits on the $1.00 souvenir programs because we didn't clear material about...