Word: starring
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Dates: during 1970-1979
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...only two 10-ft. firs herald the holiday. And in Washington, a white spruce festooned with 2,500 colored lights and 5,000 shiny ornaments easily upstages the Capitol behind it. But over near the White House the nation's official Christmas tree is dark except for one star at the top because the hostages in Iran have yet to receive a Christmas gift of freedom from the unwise men in the East...
Today Contadora is Panama's star resort, with a government-owned casino and 210-room hotel (average room price: $70 a day). About 80 weekend homes owned mostly by wealthy Panamanians dot the beaches and hills. Palm, papaya and banana trees shade the island, and peacocks and deer roam freely. Temperatures climb to a torrid 95° during the day, but drop to a breezy 70° in the evening. The resort is just now entering its busy season, with the hotel booked solid through April. And, understandably, the tourists worry about the island's most famous guest...
...snapping fun ny as Saundra McClain (Christmas Present), being haunted would be more a dream than a nightmare. Yet the highest praise of all has to go to Robin Wagner, whose sets, as clever and as intricate as Chinese boxes, encompass half of 125th Street. Wagner was the unseen star of such mediocre musicals as Ballroom and On the Twentieth Century, and he gives special luster to this Christmas card from Harlem. - Gerald Clarke
...Movies are binary," George Lucas, who directed Star Wars, once said. "They either work or they don't." He meant that even if some elements fall below standard, that may not affect our overall feeling for a picture if something about it grabs hold of our consciousness. Lucas comes to mind because so much of the Disney studio's The Black Hole-an overpowering score, squads of menacing heavies and, especially, two adorable robots-are straight Star Wars steals, and because, despite all this sincere flattery and a script and performances that are merely adequate, the fool thing...
Though all this takes much time to set up, the talk is at least drivel-free in a way the pompous Star Trek is not, and interest is sustained by Peter Ellenshaw's marvelous effects and designs, particularly of Schell's ship; in its amusing mixture of the plush and the technological, it recalls Captain Nemo's submarine in Disney's 20,000 Leagues Under the Sea. But it is when the visitors have to start fighting their way out of Schell's clutches that the picture begins to take...