Word: starting
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Dates: during 1960-1969
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Flickering Flame. Birth and Death, as the film is titled, this week provided a powerful start for the Public Broadcast Laboratory's second and possibly last season. A $12,5 million, two-year experiment of the Ford Foundation, PBL was founded to prove that public TV, if adequately financed, could light candles of culture and significance amid the darkness of commercial TV. But during its first year, the flame of PBL flickered disappointingly...
...Morning, the first and best, a Negro family takes a miraculous pill that turns them Caucasian overnight. The father and mother immediately start putting down their black neighbors, but their son and daughter refuse to join in the whiteballing. When a racist threatens them, they angrily announce that black is not only beautiful but necessary, smear him with black paint and begin advancing, tarbrushes in hand, on the audience. Playwright Israel Horovitz thoroughly comprehends Freud's dictum that laughter is a release from tension. With fusillades of obscenities and insult humor, he keeps the audience too jittery and hysterical...
...tenth lunar revolution, the Apollo crew will fire the SPS engine again-this time for 206 sec. -boosting their speed to 6,060 m.p.h., more than enough to break the moon's gravitational hold and start the spacecraft back toward the earth. About 57 hours later, accelerating under the pull of terrestrial gravity, the astronauts will position their craft properly and then jettison the service module. Streaking into the earth's atmosphere at an angle of 6.5° and a velocity of 24,765 m.p.h., the 11,700-lb. command module-all that will remain...
Digging for the coffee shop-kitchen area, however, will start early this summer because it will be least expensive to build it at the same time as the underground garage...
...Winter--Pretension unleashed, most notably that of Anthony Harvey, the director, who seems bent on doing everything as conspicuously as he can. Neither Peter O'Toole nor Katharine Hepburn gives much of a performance in this cumbersomely filmed version of James Goldman's play, which was unconvincing to start with. At the PARIS CINEMA, 841 Boylston...