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Dall and Conrad avoid making Sally's fate obvious by the introduction of unpredictable elements and a dynamic tension created by a slowly emerging subplot. The calculated use of humor prevents the story line from lapsing into static dramatic inevitability. Conrad and Dall frequently objectify Sally's viewpoint by allowing her to comment upon what has happened, or what is occurring within a given shot. While the image remains intact, her voice, satirizing the dramatic situation or directly addressing the audience, comes from off the screen. She second-guesses our reading of the film ("I'll bet you're saying...

Author: By Philippe L. Browning, | Title: Playing the Game | 10/26/1981 | See Source »

Whereas Mosè is a nearly static drama-Rossini at times referred to it as an oratorio-La Donna del Lago (The Lady of the Lake) is an atmospheric treatment of Sir Walter Scott's poem. It is a bucolic score, with harps and hunting horns highlighting the composer's landscape painting. Donna, full of infectious melodies, is closer in spirit to the great comedies...

Author: /time Magazine | Title: Music: Getting to Know Rossini | 10/26/1981 | See Source »

...David Higgins '69 is still on his 96-foot schooner, sailing somewhere off the coast of Puerto Rico. "My wife and I plan to sail through the Panama Canal, across the South Pacific to Australia, and eventually around the world," Higgings reported last week over a static-filled ship-to-shore radio frequency...

Author: NO WRITER ATTRIBUTED | Title: The Harvard Olympic Eight | 10/17/1981 | See Source »

There, amidst static and fading frequencies, you can hear Ernie Harwell and Paul Carey--the best broadcasters in the world, bar none--singing out the play by play as Morris racks up yet another...

Author: By Mark H. Doctoroff, | Title: 'Go Get 'Em, Tigers' | 10/1/1981 | See Source »

...were going to splice in an audience laugh track but forgot at the last minute. The dead time only further highlights the inanities Matthau and Clayburgh spit at each other. In an effort to create the stately atmosphere of the high court, Neame relies almost exclusively on close-up, static shots of the two principals inside their chambers. Without any camera movement, he creates a Bergman-like claustrophobia--ridiculously out of place in this comedy...

Author: By Elizabeth A. Marek, | Title: A New Sister | 9/24/1981 | See Source »

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