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Word: statical (lookup in dictionary) (lookup stats)
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...nationwide telephone strike -first in 21 years-moved into its third week, it had produced little more than some annoying static in phone service. Beyond a rash of minor sabotage that damaged cables and equipment, the only major effect was a suspension of new phone installations as Bell System companies kept skeleton repair crews close to central offices. Filling in for striking operators, gravel-voiced executives on twelve-hour switchboard shifts were all thumbs at first, but by week's end most were well on the way to mastering their temporary tasks...

Author: /time Magazine | Title: Telephones: Union Hang-Up | 5/3/1968 | See Source »

...Couple is not quite the near-perfect comedy it could have been. Except for a handful of outdoor shots, Director Gene Saks has followed the original Mike Nichols staging with slavish and unimaginative fidelity. Time after time, the camera remains static while the dialogue is left to fend for itself. Although he is one of Hollywood's most polished performers, Lemmon too often strains to achieve the lines of tension that characterized Art Carney's high-strung stage interpretation of the role...

Author: /time Magazine | Title: Cinema: The Odd Couple | 5/3/1968 | See Source »

...patron. The Battle of Shrewsbury is simply the finest, truest, ugliest war footage ever shot and edited for a dramatic movie. Welles fills Falstaff with motifs to create visual unities: the vast castle wall which dominates shot after shot; the oppressive vacuity of Spanish winter; the rhythmic alternation of static shooting and frenetic camera movement, the visual equivalent of the dramatic-thematic alternation of age and youth. These moments, sequences, unities and transitions are the true substance of film, and it is out of them, more than the familiar words, that Welles's reading is constructed...

Author: By Peter Jaszi, | Title: Falstaff | 4/30/1968 | See Source »

...forthcoming, however, from most of the works. "La Petite Fille Qui Voulet Entrer a Carmel" is a large collection of plates from a novel by Ernst, which, though they contain strange conglomerations of figures pasted together, and remind us of the association between surealist art and literature, are strangely static and uninteresting as they hang, a quality which unfortunately repeats itself throughout the show. This is partially due to the limited nature of the exhibit--that it is mainly pencil and photoengraving on paper and therefore not so powerful or organically real as much work in oil. Hanging many...

Author: By Elizabeth P. Nadas, | Title: Max Ernst | 4/20/1968 | See Source »

...spontaneity that is the crux of the joke. Most of what does arouse the audience comes from the drooping mouth of W. Bruce Johnson, who looks like a young Walter Matthau and acts with a delicate understatement that generally works. But he alone cannot overcome the director's static imagination...

Author: By Frank Rich, | Title: One-Acters | 4/19/1968 | See Source »

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