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...illuminate their roles. Fox, an icon of sunny impudence, plays a blend of his two most famous roles: the sassy kid from Family Ties and the cherubic go-getter in the Back to the Future trilogy. And Hurt, Hollywood's white-collar star, mines wit and pain from a static character. The actor can get wondrously glum when he plays a smart guy flummoxed by fate, which is why he should have been cast as the hero-victims in Presumed Innocent and The Bonfire of the Vanities. Instead he got The Doctor, whose style -- earnest and low key, with...

Author: /time Magazine | Title: Paging Doc Jollygood | 9/9/1991 | See Source »

Beckett was a friend and occasional secretary of his countryman and fellow High Modernist James Joyce, and Beckett's text echoes that author's characteristic wit and precision. In a sense the play is a dramatic translation of Joyce's project--the static narration of a moment of consciousness, undertaken merely for its own sake, without regard for the conventional rules of narrative or dramatic representation...

Author: By Carey Monserrate, | Title: This Play Keeps Us Waiting | 4/25/1991 | See Source »

...means for doing so was collage, which means simply "gluing." Ernst cut photos and engravings from magazines, catalogs, albums, marrying things that / didn't belong together. Collage was a static relative of film cutting, then in its infancy. Seventy years later, America sees in collage because it grew up spinning the TV dial. No such fragmentation of images was built into the culture of France or Germany in the 1920s. The relations between image and thing seemed solid. Here was something to overturn, and collage was the lever. Ernst fell on the common vein of reproductory images like a miner...

Author: /time Magazine | Title: ART: The Rebel Dreams of Oedipus Max | 4/22/1991 | See Source »

...play progresses. During the second half of Hamlet, each speaker delivers their monologue while stiffly positioned at center stage--this technique effectively destroys the innovation that Mulford had promised the audience earlier. Hamlet's famous soliloquy is rendered by a subdued Alexander Pak, the emotional impact drained by static staging...

Author: By Margaret H. Gleason, | Title: Hamlet Unable to Sustain Innovation | 4/11/1991 | See Source »

...Yesterdays is not concerned with scaling the heights of Holiday's mythic stature, nor with undoing it. Rather, it engages its audience in discovering Holliday's life through her own music and that of others. Like a great jazz composition, Yesterdays hovers about its theme without suffocating it, evades static and predetermined theatrical structures, defies classification and resists resolution...

Author: By Alexander E. Marashian, | Title: Yesterday's the Way for Holiday | 4/11/1991 | See Source »

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