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Word: statics (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

When it opened on Broadway 18 years ago, Paint Your Wagon was slowed by a static book and a production as badly in need of girls as its miners. On paper, Lerner's improved libretto-and a score with some new music by Andre Previn-seemed to hit the mother lode. But that was before the director made it a fool's Gold Rush. Lee Marvin has done what he could to give the wagon a push onscreen. But the only motion that can give this Loganized vehicle velocity is promotion...

Author: /time Magazine | Title: New Movies: Fool's Gold | 10/24/1969 | See Source »

Second Step: Deployment of the Static Unit...

Author: By Richard E. Hyland, | Title: Can We Know the Dancer from the Dance? | 10/22/1969 | See Source »

...represents one of our pathetically few sources of "information." We are corrupted by television even if we have never gazed upon it, for we must live among those who have gazed upon little else. I admit that it is difficult to abstract from those tiny colored images, largely static, to the minds of those who watch TV eight hours a day. Watch Hugh Downs or Ed McMahon punch those Concentration buttons, as they organize the soothing pairs to yield prizes and bathe pasteurized viewers in the emulsified applause of the studio audience. You are conditioned. You must react with considerable...

Author: By Chris Rochester, | Title: The Living Room War | 10/9/1969 | See Source »

These are the pop drugs?the drugs widely taken by middle-class young people, most of whom are white. Their use is growing; marijuana smoking, in particular, is increasing. (Heroin use, by contrast, remains comparatively static.) "For the first time," says California Psychopharmacologist Dr. Leo Hollister, "pot is entrenched in our society, with untold millions using the drug. We have passed the point of no return...

Author: /time Magazine | Title: Behavior: Pop Drugs: The High as a Way of Life | 9/26/1969 | See Source »

Adapted to the screen by Charles Dyer from his play, Staircase is a static, placid film in which the camerawork is subdued. Its strength is in its two key players. Each being determined, perhaps, to do his best acting before a peer, Burton and Harrison give firmly disciplined, finely delineated performances of undeviating honesty. Burton has rarely immersed himself in a part to the extent that one could forget he was Richard Burton, but he does it this time. Harrison has often seemed to be acting before a mirror rather than a camera. In Staircase he is acting before...

Author: /time Magazine | Title: New Movies: All in the Family | 8/29/1969 | See Source »

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