Word: statics
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...Chinese director Jia Zhangke has long been a favorite at the Venice Film Festival - his Still Life won the Golden Lion there in 2006 - but this quasi-documentary is his first entry in the Cannes competition. Jia's stately, static camera style is well suited to the story, which weaves the comments of workers from a Chengdu factory with three fictional monologues, delivered by distinguished actresses of three periods of Chinese cinema: Joan Chen, Lu Liping and Zhao Tao. "As far as I'm concerned," Jia says in a program note, "history is always a blend of facts and imagination...
...American indies, which have replaced foreign films as the higher-IQ supplement. Another reason is, frankly, that the foreign stuff isn't as exciting as it once was. The preferred art-film mode is dour minimalism, in which glum folks surrender to cosmic torpor in front of a static camera. Even as the pulse of world entertainment, from pop movies to video games to YouTube clips, is revving up, the pedigreed European film is getting slower and grimmer...
...unusual step for a company that doesn't have much contact with normal consumers. Dassault is an industry leader in powerful modeling software, used by aerospace and automotive engineers to design parts and products. Its clients include Boeing, Airbus, Daimler and Ferrari. "Its core markets are fairly static. What it's trying to do is broaden its reach and find new markets," says Adam Shepherd, an analyst with investment bank Dresdner Kleinwort. In recent years Dassault has successfully branched out to many other industries, including fashion and consumer electronics. Cutting-edge architect Frank Gehry uses Dassault software to model...
...Lahiri's fiction is pulled in at least six directions at once. Parents pull characters backward in time; children pull them forward. America pulls them west; India pulls them east. The need to marry pulls them outward; the need for solitude pulls them inward. Lahiri's stories are static, but what looks like stasis is really the stillness of enormous forces pushing in opposite directions, barely keeping one another in check. "Just being brought up by people who didn't and still don't feel fully here, fully present--that's very intense," she says. "It's not just...
...unoriginal plot or the fairly commonplace characters that keep the audience engaged. Rather, director Wong Kar Wai’s attention to detail, artful editing, and the blending of music with images create a film in which sensory appeal outweighs predictability. Although Jones plays the main character, her static performance serves as a backdrop for the more dynamic characters she meets along her journey. Rachel Weisz, playing a trapped wife who despises her husband, transitions with ease between self-satisfaction, raw rage, and disbelieving grief, while Jones barely registers more than one emotion. She delivers lines such...