Word: station
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Dates: during 1990-1999
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Crowned Miss Fire Prevention in Nashville at 17, Winfrey visited a local radio station, where she was invited to read copy for a lark--and was hired to read news on the air. Two years later, while a sophomore at Tennessee State University, she was hired as Nashville's first female and first black TV-news anchor. After graduation, she took an anchor position in Baltimore, Md., but lacked the detachment to be a reporter. She cried when a story was sad, laughed when she misread a word. Instead, she was given an early-morning talk show. She had found...
...Marvin Gaye have Armstrong in common as well. His freedom, his wit, his discipline, his bawdiness, his majesty and his irrepressible willingness to do battle with deep sorrow and the wages of death give his music a perpetual position in the wave of the future that is the station of all great...
...Maryland. There, in high school, Henson became fascinated by television. "I loved the idea," he once said, "that what you saw was taking place somewhere else at the same time." In the summer of 1954, just before he entered the University of Maryland, he learned that a local station needed someone to perform with puppets on a children's show. Henson wasn't particularly interested in puppets, but he did want to get into TV, so he and a friend made a couple--one was called Pierre the French Rat--and they were hired...
...didn't last long, but within a few months, Henson was back on TV, puppeteering for another station, the local NBC affiliate. Soon he had his own five-minute program, called Sam and Friends. It aired live twice a day, once before the network news with Chet Huntley and David Brinkley and later preceding the Tonight show, which at that time starred Steve Allen. Remaining in college, where he studied art and theater design, Henson produced Sam and Friends for six years. Assisting him was a fellow student named Jane Nebel, whom he married...
...Hollywood erected Art Deco penthouses for swells with nothing better to do than dance the night away. Did audiences rebel at this fantasy vision? No, they wanted escape--escape into elegance. Nearly everyone opted for that patina. Gangsters and jazzmen went to their gigs in cool dark suits; gas-station attendants wore bow ties. To look natty was to buy into the Hollywood myth. Mr. DeMille might never come to Podunk, but Middle America was always ready for its close...