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Word: stax (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...fact that the [City of] Cambridgedetermined that they [the clubs] are commercialproperty may have some bearing on how public orprivate they are for public accommodationpurposes," said Baker. He said that if the city'stax assessors use criteria similar to MCAD's toclassify a group as commercial, then the Fly Clubshould be considered public...

Author: By Ross G. Forman, | Title: Fly Club's Privateness Questioned | 11/4/1988 | See Source »

...Jamaica," says UB40 vocalist-trumpeter Astro. "But our melody lines are different. They're influenced by English pop and Motown." Adds Campbell, who also provides vocals: "From the time we were kids together, we all only really listened to reggae. I hardly listened to anything else, apart from Motown, Stax, Sam Cooke, Otis Redding -- and Jackie Wilson. He was my favorite." All the members of UB40 have known one another since their shared childhoods in Balsall Heath, a predominantly black neighborhood near the center of Birmingham. "It was a slum," says Campbell, but Brian Travers, who plays sax and acts...

Author: /time Magazine | Title: Music: Reggae's Bulgarian Acrobats UB40 eases onto the chart tops with an old hit | 10/31/1988 | See Source »

...Keith's occasional attempts at lead vocals on Stones albums, you'll be astonished at how adept his singing has become. His voice still has the narrow timbre of old, and his rasp is raspier than ever, but his vocal gymnastics display an unexpected spryness. On one song, the Stax-like "Make No Mistake," he even croons and whispers like Al Green (though without Green's range), curling his voice around each syllable with palpable relish. Keith also proves himself a reasonable blues shouter, in the mold of--who else?--Mick Jagger...

Author: By Gary L. Susman, | Title: Keith Richards Breaks the Silence | 10/14/1988 | See Source »

...Happy!!, Elvis Costello pays homage to his American musical influences--soul, blues, much Motown and Stax, as well as reggae. Costello, in Lou Reed's phrase, "wants to be Black." One of the two covers is an old Sam and Dave song, the rousing, "I Can't Stand Up For Falling Down." Charmingly, it comes out sounding like Graham Parker and the Rumour. Influences being what they are, maybe it was supposed...

Author: By D. BRUCE Edelstein, | Title: Abyss and Costello | 4/7/1980 | See Source »

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