Word: stayed
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Dates: during 1960-1969
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Obviously Godard is not taking the children of Marx and Pepsi Cola, as he calls them, too seriously. He minimizes individual importance by rudely dropping one of his characters and picking up another, by interrupting their pathetic moments with sight gags. But Godard does sometimes let his camera stay fascinated on one face. During these sequences, the camera doesn't move away from the face to explore or make analogies with the outside. It's as though the camera has a straight face. Catching every flicker of a character's eye, every turn of his head is comment enough...
...good life. They need no hallucinogens to tell them when parties are fun, food good, and life pleasant and comfortable. In pursuit of their affairs they are realistic and responsible. A Hobbit pad is clean, comfortable, beloved and cozy, a good place for a comforting cup of tea. We stay-ins must judge from TIME'S picture that hippies live just a step above animals...
...magazine noted that Russia and the U.S. had reached a standoff in Europe and Southeast Asia, but that both had meanwhile been supplying Middle East nations with "a pretty remarkable list" of arms. It predicted that the superpowers would stay out of a Middle East war, however, because "their own soldiers and their ideological honor are not immediately at stake...
Another feature of the Chinese scene is the stay-at-home quality of their history. It is the center of things; China is not a place you want to go away from, it is a place to stay in. If you go out, you're going to the barbarian outside, where there's nothing. Chinese culture is Sino-centric, and today the people are still concerned with what's going on inside the country. They wish the outside would disappear and not bother them. This is very different from a seafaring country including not only the Japanese, ourselves...
...parents' place. The boy (Hywel Bennett) has a skin even thinner than the walls of the bedroom, and as his loutmouthed father (John Mills) fusses with a chamber pot next door, he finds himself unable to consummate the marriage. When their honeymoon plans fall through, the couple stay on in the house, and Bennett remains incapacitated. "One doesn't miss what one's never had," the bride (Hayley Mills) assures him. But a month later, she miserably confides her troubles to her mother-and overnight the truth is known all over their drab industrial town...