Word: steadmans
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Dates: during 1990-1999
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This insidious new image, Faludi claims, was Hope Steadman, the exalted, blissful, breast-feeding mother of thirtysomething, who provided a postfeminist contrast to the "neurotic spinster ((and)) ball-busting single career woman." Or Glenn Close's character in Fatal Attraction, the crazed professional temptress -- beautiful, successful and mad as a hatter, thanks to the deafening tick of her biological clock. Or the Dress for Success models who, in Faludi's lethal description, "trip down the runway in stiletto heels, hands snug in dainty white gloves. Their briefcases swing like Easter baskets, feather light; they are, after all, empty...